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Martin Scorsese Masterclass in Cannes

 

 

 

Ishita Raj Sharma

Yaaram, Review: Single blues, double whammy and triple talaaq

Yaaram, Review: Single blues, double whammy and triple talaaq Actor Siddhanth Kapoor, a part-time DJ (disc-jockey), makes his singing debut in Yaaram. The number, titled, ‘Kaash phir se’, is composed by Jeet Gannguli and penned by Kumaar. According to a newspaper report, the actor took a single take to record it, after a mere two days of rehearsals. The song recording is shown as a live studio event while the end credits roll. Credits over, let’s get down to debits and brass...

Prassthanam, Review: Loyalty, integrity and legacy, to see or not to see, that is the question

Prassthanam, Review: Loyalty, integrity and legacy, to see or not to see, that is the question When you have classics like the Mahabharat, Ramayan and Shakespeare’s works, why look elsewhere for inspiration? Update the setting and references but retain the blood and gore, conceit and deceit, loyalty and betrayal, vice and avarice, and above all, good and evil. You now have a story that every lover of mythology, every cinephile identifies with, and the figure could be well above a billio...

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