Chandigrah Kare Aashiqui, Review: Engendered species A film that takes a taboo subject head-on, but takes its own time to get there, Chandigarh Kare Aashiqui is handicapped by its own title. Running on three, or rather, three-and-a-half parallel tracks, the film has nothing to justify Chandigarh Kare Aashiqui, except that it is set in the north Indian city of Chandigarh. Its lead pair turns in largely convincing performances, and when it comes to using language that is brazen and bold, to it ...

Raaz Reboot: Exorcise in futility When the best things in a horror/supernatural film are its songs, it does not augur well. A few days before the release of Raaz Reboot (they use that in the title? I thought ‘reboot’ was a word copyrighted to journalists and IT whiz kids!) the Bhatt threesome—brothers Mahesh and Mukesh and protege Vikram—announced that Raaz 4 (now, that sounds better) would be the last instalment in the series. Foresight for sure. Raaz (Hindi/Urdu for ...