March 31 - April 18 At the opposite end of the stereotype of docile Japanese women—heroic good mothers, chaste daughters and hardworking faithful wives—actresses Ayako Wakao, Mariko Okada and Meiko Kaji embodied the transgression of limits, breaking rules, flouting norms and generally upsetting everyone. This series explores the idea of unconventional beauty that these spellbinding actresses created through an unparalleled body of films. Both Wakao and Okada were muses and inspiration for two major film directors, Yasuzo Masumura and Kiju (Yoshishige) Yoshida, respectively, while Kaji navigated between filmmakers, a wild card of Japanese cinema at the time. Put together, their films delineate what one could call an aesthetic of “convulsive beauty” (André Breton). Featuring a line-up of 13 films of many different genre, from anti-melodrama to jidaigeki, girl gang movies to women in prison films, with entries from Kiju Yoshida, Yasuzo Masumura and Toshiya Fujita. Don't miss the DRESSED TO KILL party following the opening screening of "Tattoo," Wednesday, March 31, 2010 at 7:30 PM. Visit http://www.japansociety.org/content.cfm/mad_bad__dangerous_to_know for full line-up and schedule. Buy Tickets Online or please call the Japan Society Box Office at (212) 715-1258, Mon. - Fri. 11 am - 6 pm, Weekends 11 am - 5 pm.

The call for entries is open for the 1st Oklahoma Horror Film Festival which will be held at Tulsa's SpiritBank Event Center located in the Regal Plaza off Memorial between 101st and 111th. Free parking and covered parking will be available. Within walking distance is a nice Hampton Inn and a myriad of restaurants and stores.

 

December 2009 - May 2010 With the centennial of director Akira Kurosawa’s birth coming up, 2010 will certainly be the year of sword fighting films (chambara)! While Kurosawa will always remain the "Emperor", two actors dominated postwar Japanese genre cinema: Daiei Studios’ cult stars Shintaro Katsu (1931-1997) and Raizo Ichikawa (1931-1969). Two actors, two styles, apparently poles apart yet actually complementary: earthy Katsu was the affable anti-idol rogue, unpredictable on- and off-screen, while ethereal, coolly enigmatic Ichikawa was considered the “James Dean of Japan”. Beyond their differences, both stars instilled in their roles a poisonous poetry and existential angst that lifted their art into genre-transcending territory. Curated by Chris D., genre film expert and author of Outlaw Masters of Japanese Film. Two of the most versatile, underrated and comparatively unknown movie performers post-WWII were not from America or Europe, but from Japan. Shintaro Katsu and Raizo Ichikawa defined their generation as surely as actors like Robert Mitchum, Montgomery Clift, James Dean and Clint Eastwood defined theirs. And like Mitchum and Eastwood they were equally at home in rugged action roles as in heavy drama and light comedy. Katsu’s blind swordman Zatoichi and Ichikawa’s misanthropic halfbreed samurai Kyoshiro Nemuri stand out as unforgettable, iconic characters on the panoramic screen of 20th century world cinema. – Chris D. Join us for this retrospective honoring two Japanese film legends.