The Courier, Review: Delivers on time A spy story with no fights, no gadgets, agents who neither carry guns nor seduce each other, The Courier is a hark-back to the genre that can be traced at least...

The Spy Who Dumped Me, Review: Jumped, Pumped, Slumped, Stumped Pre-credit scenes à la James Bond, the JB theme variation in a couple of scenes and a title that is a clear Ian Fleming lift—remember...

Mission Impossible-Fall Out, Review: “The greater the suffering, the greater the peace” Sixth in the TV series-to-big-screen franchise, Tom Cruise’s Mission Impossible is aptly titled Fall Out....

Sicario 2-Day of the Soldado, Review: Benicio and Josh raise the' False Flag' and kill at will ‘Soldado’ is Spanish for a soldier who fights for a cause. ‘Sicario’ was the name of those who resisted...

by Quendrith Johnson, Los Angeles Correspondent You have to hand it to filmmaker Alex Gibney (GOING CLEAR), he has taken on everything from Eliot Spitzer’s political downfall to the Enron debacle...

A Bridge of Spies, Review: Spyelberg on spy-swapping--one of theirs for two of ours Old school film-making at its charming best is what Steven Spielberg delivers in this potential thriller, that is,...

Sicario, Review: One drug cartel is better than two Breath-taking aerial shots of the US-Mexico border area and amazingly choreographed encounter scenes are the highlight of Sicario, a drug cartel...

In the only Urdu/Hindi film he ever made, Indian cinema’s Bengali language grandmaster Satyajit Ray used chess as a metaphor, setting it against the backdrop of the crumbling Navabi rule over Avadh...

The Man from U.N.C.L.E., Review: US nephew, Russian nephew, German niece and the sinister Italian family plot It’s not about a man or the man, and the clever acronym for the secret agent network is...

Mission: Impossible-Rogue Nation, Review: Bond-Bourne amalgamation You couldn’t escape noticing that the Mumbai press preview of Mission: Impossible-Rogue Nation was being held at the renovated Fun...