Onward, Review: Upward, downward, northward, southward, eastward, westward, and afterward A potpourri of various elements found across several genres, animation giants Disney and Pixar’s Onward is good fun while it lasts. The film uses motivational and familial themes to string together a tale of an era wherein everything modern co-exists with almost everything mythical and magical. It stretches your imagination to some limits, but once you set your disbelief to the required frequency o...

Avengers, Endgame: Thanostradamus As star casts go, Avengers: Endgame runs up a mind-boggling score. Like in theatrical performances, where all characters come on to the stage after the performance to take a bow, Endgame brings them all on screen, even resurrecting the dead, in a show of ultimate strength, before their nemesis is vanquished. Just as it takes two lives to conquer the dark force, the dark force itself needs to be conquered not once but twice. It is ingenious writing, to lay out...

Jurassic World-A Fallen Kingdom: Tyrannosaurus, Baryonyx, Indoraptor, Pterosaurs Carnotaurus, Mosaurus, Thesaurus and some humans You’ve got to give it to them. Since the film is about dinosaurs, they filled the screen with myriad variations on the thematic anima/bird. Problem is, they all do almost the same thing, except with the handler, and that too when he pretends to be sad. The ‘same thing’ is making ferocious calls, and then getting into the seek-and-destroy anything ...

Iconic horror film-maker, of the Living Dead fame, Romero dies at 77 Often called the father or progenitor of the modern zombie movie, American film director George A. Romero has died of lung cancer, in Toronto. He was 77. George A. Romero passed away on Sunday July 16, listening to the score of The Quiet Man, one of his all-time favorite films, with his wife, Suzanne Desrocher Romero, and daughter, Tina Romero at his side. He died peacefully in his sleep. Born in The Bronx, to a Cuban-born ...

The Guardians of the Galaxy-Vol. 2, Review by Siraj Syed: Turn-up the volume TGOTG goes back to 1980, when Peter’s father was courting his mother, and then comes to present day, when he s about 35. Like Vol. 1, the film is a riot of colour, sci-fi (visuals) and hi-fi (sounds), even celebrating its own prowess in painting the screen with an explosion of VFX hues, like a futurist child’s dream display of fire-works. It also taps upon latest sound techniques to run music, SFX and dia...

Siraj Syed reviews Passengers: Window seat at the journey of a life-time They’ve got it right. Not perfect, but right. Mind-boggling special effects and a mind-toggling emotional narrative. It’s an elusive, coveted recipé, and for once, somebody nailed it. Use state-of-the-art VFX, but blend them with an equally compelling story-line, sometimes shaken, sometimes stirred, and then pray you hit bull’s eye. Passengers is a journey that starts in outer space, but gets you...