IFFI 53, 2022, 13: Master Class on Gender and Work in Hindi Cinema A Masterclass on Gender Participation in Hindi Cinema was held at the 53rd International Film Festival of India, in association...

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IFFI Goa 2017, VI: Sexy Durga and Nude--two films you will not see Since the first screening as a work in progress film in the NFDC Film Bazaar, held in Goa, 2016, Sexy Durga (Malayalam) received...

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IFFI Goa 2017, IV: No Director, no Jt. Director, but the Indian film lists are out Press Information Bureau (PIB), Mumbai, is largely invested with managing the media at International Film Festival...

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Ajji, Review: Gran finalé • Nov 02, 2017 at 11:14 AM
by Siraj Syed

Ajji, Review: Gran finalé Enough of laurels for acclaimed shorts like Taandav, Aglee Baar, Absent, and the largely unknown feature, Oonga. It was time for Devashish Makhija to push the limits hard,...

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Abhishek Banerjee
Absent
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Sudhir Pandey
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Toilet—Ek Prem Katha, Review by Siraj Syed: Loo and behold! There is no point getting revolted by the title. Any fear that the film might have ‘dirty’ scenes can be laid to rest by the realisation...

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Phullu, Review by Siraj Syed: Misleading title, taboo subject, tenacious treatment This is a good example of a film named after its lead character, with no regard for audiences’ perception of what...

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Siraj Syed reviews Haraamkhor: Harmful to the core Haraamkhor: A derisive term, having its roots in Persian (Farsi) and widely used in present-day Urdu and Hindi. Haraamkhor literally means one who...

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