Netflix’s Kathal: The curious case of the two missing jackfruits and its serious, very serious ramifications Firstly, it was not discovered by a man named Jack. Secondly, it is not a fruit, but a...

Titu Ambani, Review: Titular harakiri You cannot but help notice it. You cannot even overlook it. It is so much in your face. After all, it is the title of the film. And it has nothing to do with...

Mere Desh Ki Dharti, Review: Suicide or pesticide, you decide You get two films for the price of one when you, or if you, go to see Mere Desh Ki Dharti. Now, if you happen to arrive a little late,...

Sab Kushal Mangal, Review: Well, well! Marriages at gunpoint are something of a norm in Bihar and Jharkhand, the latter having been a part of Bihar. On the movie screen too, such marriages have...

P se Pyaar F se Farraar, Review: On a killing Alarming statistics at the end of the film reveal that killing of young men and women who elope or marry into other castes or religions increased by...

Gone Kesh, Review: The bald is the beautiful An English-Hindi composite pun constitutes the title, playing upon ‘gone case’, which term is used to describe someone who is so far ‘gone’ into...

Fryday, Review: Thank Devil, It’s Friday A water-purifier salesman has until Friday to make his first sale, or else face the sack. A ham actor has only the Friday to make his extra-marital catch,...

Angrezi Mein Kehte Hain, Review: Show me that you love me Delhi-born director Harish Vyas makes his Hindi film debut with an adult love story set in Varanasi where the only thing adult about the...

Nanu ki Jaanu, Review: It’s a nu nu What can you make of this mishmash that is as puerile as its title? Whatever you make, it’s all a nu nu, or no no, to spell it right. Misguided, miswritten,...