Splendid Land, Review: Xinjiang is a many splendoured place The China-Greece co-production documentary, Splendid Land, directed by Eleni Vlassi and Jin Huaqing, presents the wonderful land of...

IFFI 51, 51: My ‘golden peacock’ moment and the denial of recognition to IFFI Veterans It’s not the real thing, only a memento. Nevertheless it is not the lesser for me, in terms of value. How did...

  IFFI 50: IFFI delays and avoids recognising, honouring veteran journalists This is my 50th posting about IFFI 50, Panaji, Goa, November 20-28, 2019. It deals with an issue that is close to...

MFF 21, 2019, 3: Excellence in Cinema Award goes to Deepti Naval Mumbai Academy of Moving Image(MAMI), organisers of the Mumbai Film festival, 17-24 October 2019, have chosen Deepti Naval as the...

Fighting with My Family, Review: Soap opera in spandex Somebody must tell biopic makers, especially true stories about sports personalities, that there is very little difference between one and the...

Still from A War to End All Wars directed by UK animator Ruth Coggins The Montreal International Animation FIlm Festival is proving itself to be the hippest animation festival. Discovering the film...

Siraj Syed covers CommunicAsia 2017, Post-event reportage, 03: Object Matrix and Fortium Partner for Content Security Object Matrix and Fortium Technologies launched a joint solution, offering...

Shaun the Sheep Movie, Review: Shaun is on An animated comedy from a non Pixar/Disney/Dreamworks DNA, Shaun the Sheep could be the mouse that roared. Just above 80 minutes long, this Aardman...