Dhokha Round D Corner, Review: True lies, deception-perception and betrayal-portrayal Way back in 1940, a British film was made under the title Gaslight. It had an American version in 1944. Since...

Case Toh Banta Hai, Trailer Launch and Press Conference: Courting laughter Trials and tribulations continue on the web. The genre has attracted Banijay Asia production house to create a show based...

Music Forever: Long performing music duo L-P, alias Laxmikant-Pyarelal Ajay Poundarik is neither a writer nor a journalist. But if he is anything, he is a fanatic admirer of the work of the music...

Pyar Mein Thoda Twist, Review: A sack-full of emptiness A lot of action in the film Pyar Mein Thoda Twist takes place inside a bound sack. It is marked, Lena Hae Lena Hae (have to take, have to...

Baaghi 3, Review: Rebel without a pause Meaning ‘rebel’ in Urdu, Baaghi 3 showcases the muscular machismo, kicking quotient and airborne acrobatics of the loose cannon called Tiger Shroff. He first...

Har Kisse Ke Hisse Kaamyaab, Review: Many parts, many holes, no whole, no soul In one scene of Har Kisse Ke Hisse Kaamyaab, the protagonist, an actor who goes under the screen name of Sudheer,...

Sab Kushal Mangal, Review: Well, well! Marriages at gunpoint are something of a norm in Bihar and Jharkhand, the latter having been a part of Bihar. On the movie screen too, such marriages have...

Bose Dead or Alive: Rajkummar Rao in thriller take on Indian freedom fighter If you were a patriot and freedom seeker in the British colonial India of the 1920s-1940s, you either believed in...

Aamir, Nasir, Tahir, Tariq, Mansoor, Amjad: Movies, Masti, Modernity, Flashback 6 To remind you, Aamir is indeed Aamir Khan, Amjad is definitely Gabbar Singh, and the triple M above is to...