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arthouse cinema

Poetic Film Festivity of Anna Polibina-Polansky (PFFAPP)

Anna Polibina-Polansky is a young film director-essayist who has been creating and  issuing non-budget, non-incom poetic films for over two decades of years. She is known for her lyric films of the European symbolism and of postmodernity at poetry. She estimates thematic acuteness and genre refined structure alike.

Poetic Film Festivity of Anna Polibina-Polansky (PFFAPP)

Anna Polibina-Polansky is a young film director-essayist who has been creating and  issuing non-budget, non-incom poetic films for over two decades of years. She is known for her lyric films of the European symbolism and of postmodernity at poetry. She estimates thematic acuteness and genre refined structure alike.

Poetic Film Festivity of Anna Polibina-Polansky (PFFAPP)

Anna Polibina-Polansky is a young film director-essayist who has been creating and  issuing non-budget, non-incom poetic films for over two decades of years. She is known for her lyric films of the European symbolism and of postmodernity at poetry. She estimates thematic acuteness and genre refined structure alike.

Reflections Are Erratic

*** Dzaferelli and Visconti. Our last applauding to both. They mean not what they signify, but what they long for, what they prevent and what they undermean. The lost world at the bottom of the Como lake. Dario Fo, his subtle humor that went into sand and cliffs. Acrid nostalgia of the elated cinema of last decades. Nothing will return. No country in the world may offer anything upmost like that, instead. Not even my home Russia where the names of Parajanov and Ioseliani are irrevocably lo...

Reflections Are Erratic

user
Dzaferelli and Visconti. The list world at the bottom of the Como lake. Dario Fo, his subtle humor that went into sand and cliffs. Acrid nostalgia of the elated cinema of last decades. Nothing will return. No country in the world may offer anything upmost like that, instead. Not even my home Russia where the names of Parajanov and Ioseliani are irrevocably lost. The lost feneration is one before us. We mourn of the remnants and tge traces of symbolism. We lost the sketchery of elated postmoderni...

Reflections Are Erratic

user
Dzaferelli and Visconti. The list world at the bottom of the Como lake. Dario Fo, his subtle humor that went into sand and cliffs. Acrid nostalgia of the elated cinema of last decades. Nothing will return. No country in the world may offer anything upmost like that, instead. Not even my home Russia where the names of Parajanov and Ioseliani are irrevocably lost. The lost feneration is one before us. We mourn of the remnants and tge traces of symbolism. We lost the sketchery of elated postmoderni...

Reflections Are Erratic

user
Dzaferelli and Visconti. The list world at the bottom of the Como lake. Dario Fo, his subtle humor that went into sand and cliffs. Acrid nostalgia of the elated cinema of last decades. Nothing will return. No country in the world may offer anything upmost like that, instead. Not even my home Russia where the names of Parajanov and Ioseliani are irrevocably lost. The lost feneration is one before us. We mourn of the remnants and tge traces of symbolism. We lost the sketchery of elated postmoderni...

Reflections Are Erratic

user
Dzaferelli and Visconti. The list world at the bottom of the Como lake. Dario Fo, his subtle humor that went into sand and cliffs. Acrid nostalgia of the elated cinema of last decades. Nothing will return. No country in the world may offer anything upmost like that, instead. Not even my home Russia where the names of Parajanov and Ioseliani are irrevocably lost. The lost feneration is one before us. We mourn of the remnants and tge traces of symbolism. We lost the sketchery of elated postmoderni...

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