Dharma’s Dharmatic Decision: Will it make a difference? Film critics in Mumbai received a communication last week from Dharma Productions, which has been the talk of the community since...

Rocky Aur Rani Kii Prem Kahani, Review: All rhyme, no reason When a film tries too hard to please too many viewers, it shows. When it has too many stars, including stars of yesteryear, predictably,...

Ticket to Paradise, Review: Destination rom-com that loses track of both the rom and the com When you have actors of the calibre of Julia Roberts and George Clooney on board, you can pretty much get...

Haryana, Review: But for Alia She is not in the film. Reading the names of the cast, you will realise and confirm this fact. But then why this head-line? Because Alia Bhatt is the premise of almost...

Gangubai Kathiawadi, Review: Guess what is the oldest profession in the world, and meet its President Gangubai, a variation of Ganga, is the most common name of Maharashtrian maid-servants in...

Student of the Year-2, Review: Kya baddi kya baddi Kya baddi Karan Johar, what was the earth-shaking supersonic idea that made you cash in on the ‘The biggest franchise of Bollywood’ (imdb’s words,...

Kalank, Review: Masochistic miasma Everything in Kalank (blemish, stigma) is grand, both in content and in form. Sets and décor, riches and poverty, locales and vehicles, make-up and costumes,...

Raazi, Review: Lying and spying, willing and killing As spy thrillers go, Raazi is, at best, average fare. During the first half, it runs the risk of becoming a pedestrian assemblage of trope...

MFF 17, by Jio-MAMI, Festival Diary, part I  MFF 17, by Jio-MAMI, Festival Diary, II                                       Kiran Rao and Anupama Chandra Come 28 October, and we learnt that...

Shaandaar, Review: Insomniacs, maniacs, megalomaniacs and necrophiliacs It’s a Shaandaar combination. Producers of this eagerly-awaited film include the Dharma banner owner Karan Johar (Kuch Kuch...