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Martin Scorsese Masterclass in Cannes

 

 

 

Ajay-Atul

Jhund, Review: Every Jhunderdog has his day

Jhund, Review: Every Jhunderdog has his day Literally translated, Jhund means herd. Only in this case, the reference is to a group of young slum-dwelling, smoking, drinking ragamuffins, who are also petty criminals, but are transformed into a high class football team, thanks to the efforts of a neighbouring school-teacher, who is about to retire. The film is many films in one and can be seen from several perspectives, each of which would be a valid point of ‘view’. But at its core...

Super 30, Review: Inequality, equality and variable quality

Super 30, Review: Inequality, equality and variable quality Two basic tenets form the paradigm of Super 30: a real-life story about a nondescript do-gooder who is a super achiever must strike a chord with audiences, and, secondly, any tale of a low caste and poverty-stricken protagonist, sacrificing his lady love and filthy lucre for the cause of educating fellow under-privileged ‘untouchables’ in his society, will have them rooting for the unlikely hero. How these doctrines pan o...

Thugs of Hindostan, Review: Where are the thugs?

Thugs of Hindostan, Review: Where are the thugs? In the Hindostan of the early 1800s, as in most countries at any time in history, there were thugs. India, as Hindostan came to be called by the British, had an exactly similar term for these gentlemen, only the t in thug was hardened to sound like tug. Our story begins in 1795, when one small kingdom dared to withstand the marauding East India Company forces, led by John Clive. There is one solitary thug in the film, who has an ambivalent att...

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