Monday, October 29----------In these sangfroid days when nearly everything is acceptable on the big screen, the sight of a mother giving a handjob to her son is still, please excuse me, a little controversial. That scene, that serves as the kind of climax (no pun intended) of SAVAGE GRACE, the long gestating project from American indie director Tom Kalin, may be one of the reasons that the project has taken more than a decade and a half to reach the big screen. However, the London Film Festiva...

 Monday, October 29----------In these sangfroid days when nearly everything is acceptable on the big screen, the sight of a mother giving a handjob to her son is still, please excuse me, a little controversial. That scene, that serves as the kind of climax (no pun intended) of SAVAGE GRACE, the long gestating project from American indie director Tom Kalin, may be one of the reasons that the project has taken more than a decade and a half to reach the big screen. However, the London Film Festiva...

In these sangfroid days when nearly everything is acceptable on the big screen, the sight of a mother giving a handjob to her son is still, please excuse me, a little controversial. That scene, that serves as the kind of climax (no pun intended) of SAVAGE GRACE, the long gestating project from American indie director Tom Kalin, may be one of the reasons that the project has taken more than a decade and a half to reach the big screen. However, the London Film Festival did bring it, with all its c...

 Friday, August 25------There are still a few days to catch the final  offerings in the NYC NOIR series that has been running at the Film Forum for the past few weeks. Dedicated to a depiction of New York as a place of grit, grays and ghosts, the series offers a tidy endgame of treats, a mix of classics and little known gems. With temperatures expected to hit the 90s in the final dog days of August, New York never looked quite so noir. But at least this NYC is air conditioned.REAR WINDOW (1954...