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Interview with Romanian New Wave filmmaker GABRIEL ACHIM

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Director Gabriel Achim   When I met Romanian director Gabriel Achim, I asked him about his film and he said this: 'Well, if you like intellectual porn then you will like my film...' Well, what a pitch because I couldn’t wait to see it, and indeed ADALBERT'S DREAM (Visul Lui Adalbert, 2011) IS ‘Intellectual Porn’… Read below to get to first base. But to go all the way, you’ll have to see the film!   ME: why is it called ‘Adalb...

The Feel Good Film Festival 2012

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For updates on the 2012 Feel Good Film Festival to be held at the Hollywood's Laemmle Noho 7 Theater August 3-5, 2012, stay tuned or go to www.fgff.org, FGFF's Official Website and The Feel Good Film Festival on Facebook!  The three-day event features films aimed at both adult and family audiences that highlight positive themes, happy endings, laughter, and capture the beauty of the world.   The Feel Good Film Festival is a non-profit film showcase encouraging the development, produ...

The Turin Horse Q and A with Bela Tarr at RIFF

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still from the film THE TURIN HORSE (2011) THE TURIN HORSE (2011), the last film by celebrated Hungarian filmmaker Bela Tarr, screened in Reykjavik tonight at the 8th Reykjavik Film Festival (RIFF). The film is 2 ½ hours long but despite its hard subject matter and rough arthouse style, it holds onto its full audience from beginning to end. At the end of the screening the master filmmaker himself attended a Q and A for inquiring indie film buffs. This is a difficult film to work through and wh...

THE TURIN HORSE and BELA TARR

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 still from the film THE TURIN HORSE (2011) THE TURIN HORSE (2011), the last film by celebrated Hungarian filmmaker Bela Tarr, screened in Reykjavik tonight at the 8th Reykjavik Film Festival (RIFF). The film is 2 ½ hours long but despite its hard subject matter and rough arthouse style, it holds onto its full audience from beginning to end. At the end of the screening the master filmmaker himself attended a Q and A for inquiring indie film buffs. This is a difficult film to work through and ...

New York, 2011 Japan Cuts Film Festival

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For the last five consecutive years JAPAN CUTS, the New York festival of contemporary Japanese Cinema   has been embedded in the New York Asian Film Festival and steadily gained in importance. There are now more films from Japan at the NY Asian Film Festival than from any other country. Programmed during the Film Festival, at the Walter Read Theater and the Japan Society from July 1-14, 35 Japanese films were shown. It included 32 new titles, mostly premieres which were presented only once. Th...

‘ Red in the Water’ - director Mikel Gurrea ECU 2012 New submission Interview

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By Alexander Acosta Osorio culturamas.es “Legend tells the hero cut off the head of Medusa and threw it to the water. However, the blood of that head became a red stone under the sea. That is the origin of coral. In the early 20th century, a deaf fisherman will bring the myth to life.” Mikel Gurrea was born in Donostia-San Sebastian, in the Basque country. When he was 18, he moved to Barcelona to study Audiovisual Communications at the Pompeu Fabra University. Whil...

It is soon Time to celebrate B Movies!

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The B Movie Celebration : September 23rd to 25th Franklin Indiana  www.bmoviecelebration.com it's time for  the 5th Annual B-Movie Celebration in Franklin, Indiana. It’s time once again to gather and pay tribute to B-Movies past, present and future. As we all know, the B-Movie has had a long and humble tradition beginning with the double features of the 1930s and 40s where a lower-budget production would be used to fill the bottom half of a double bill. Within that time, there we...

Independent Cinema vs. Blockbuster

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by Anne Marie “Independent cinema is cinema produced outside of big studios with a small to medium budget” – such is the definition of independent cinema. Contrary to many other definitions, independent cinema is defined not by what it is, but by its opposition to the cinema of big Hollywood machines. This is, in fact, how independent cinema was born. The birth of a new film label. It was in the United States, in the 50′s, that independent cinema fir...

San Sebastian retrospective: ''American Way of Death: American Film Noir 1990-2010''

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San Sebastian retrospective: ''American Way of Death: American Film Noir 1990-2010''   The retrospective dedicated to American film noir will open at the 59th edition of the Festival with TEXAS KILLING FIELDS, a film to compete in the Official Selection at Venice Festival. This gripping thriller proves that the genre is fighting trim: set in the Texas bayous, the tale tracks two detectives pitted against mysterious unsolved murders all occurring in a haunti...

Geek Glory At 2011 Comic-Con

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  Any event that can bring together such high power heavyweights as Steven Spielberg, Peter Jackson and a host of stellar movie stars is the definition of clout. So, let’s be clear…..Comic-Con, the sprawling exhibition and promotion extravaganza that just wrapped in San Diego, has major clout. The confab, originally a geeky celebration of comic book culture, has become the go-to place for film and television series with comic book origins and fantasy/supernatural/phantasmagoric films in ge...

Rajendra Roy: Charting The Waters At MoMA

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  For Rajendra Roy, it’s all about the passion. Beginning his fifth year as the Celeste Bartos Chief Curator of the legendary Department Of Film at New York’s Museum Of Modern Art (MoMA), Raj (as he is affectionately known by friends and colleagues) can look back at significant accomplishments during his tenure and substantial challenges ahead. “The film world has changed so much since I started this job”, Roy shared with me in an interview in his intimate, no-frills office. “...

Hamac Cazíim

Director: H. Paul Moon.
Hamac Cazíim tells the story of punk rock musicians from an indigenous tribe called the Seri nation, or Comcáac, who are using music to maintain their ancestral language and culture despite a long history of colonialists, missionaries, and modernization. The Comcáac are a nomadic people who live in a place of mystic beauty along the Gulf of California, where the mountains meet the desert meet the sea. Despite this isolation, the problems of modernization—and extinction of sacred animals—threaten their indigenous identity. To fight against these dangers, the band Hamac Cazíim was formed. Converging these themes of music, tribes, and endangered species, the film delivers a tuneful meditation on the universal challenge to preserve native identity, and the power of music to stage that fight.

TWO EYES STARING, interview with ELBERT VAN STRIEN

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 photo still from film TWO EYES STARING (2010) At this year’s ‘Ground Zero’ for fantasy ‘funtastic’ film festival FANTASTIC ZAGREB, the frightful, fearsome, fanciful and freaking fantabulous film to open it with a big bang was the very much talked about new supernatural thriller TWO EYES STARING (2010) by the bold and brilliant Dutch director Elbert van Strien. And what a film to open with! If you have a taste for the paranormal and love a good ghost story, well this is one that will...

TWO EYES STARING, interview with ELBERT VAN STRIEN

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At this year’s ‘Ground Zero’ for fantasy ‘funtastic’ film festival FANTASTIC ZAGREB, the frightful, fearsome, fanciful and freaking fantabulous film to open it with a big bang was the very much talked about new supernatural thriller TWO EYES STARING (2010) by the bold and brilliant Dutch director Elbert van Strien. And what a film to open with! If you have a taste for the paranormal and love a good ghost story, well this is one that will keep you quivering long after you’ve seen the ...

The Philadelphia Cinema Alliance Announces Danger After Dark Film Festival!

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A festival within a festival, Danger After Dark runs concurrently with QFest to showcase the best in action and horror   Danger After Dark, the long-running genre festival programmed by Travis Crawford and presented by the Philadelphia Cinema Alliance returns this summer. Running concurrently with QFest, Nine stunning films will unreel at the Ritz East and Ritz Bourse. From the graphically gory and sexually explicit to the formally experimental and just plain indescribably str...

Documentary 101

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This 2-evening course will cover the basics of producing a one-off or series in the documentary or factual film fields. Starting with the basics, this course will take you through your story idea, development of pitch materials and financing to pre-production, production, post-production and deliverables.This course will take you from A to Z to help you prepare for a documentary film shoot. Full of practical tips, case studies, problem scenarios and handouts of call sheets, shooting schedules, e...

The inaugural HITFLiCS.com ONLINE COMPETITION calling for free submissions

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The inaugural HITFLiCS.com ONLINE COMPETITION     Call for Entries Submission deadline: June 30th, 2011 Complete the Entry Form and Upload your film   Contact Info Website: http://www.hitflics.com Festival Office: 1200 East Putnam Ave Riverside CT - 06878 - United States ...

Martial Arts films selection at the 3rd Terracotta Festival, London 5th - 8th May 2011

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TERRACOTTA FESTIVAL proudly present a selection of the best films coming from Asia featuring different styles Martial arts and a mix of legend actors and real life champions. 5th –  8th May 2011, Prince Charles Cinema, London.  LOST BLADESMAN –  is Hong Kong biographical martial arts film directed by Alan Mak and Felix Chong, based on the life story of  legendary General Guan Yu, historical figure of Three Kingdoms period, symbol of brotherhood and loyalty, worshiped by triads and poli...

Christine Vachon: The State of Cinema is...Not Necessarily Taking Place in a Cinema

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Last night, closing out day 4 of the San Francisco International Film Festival, Christine Vachon of Killer Films delivered the State of Cinema Address. Christine has personally produced over 60 films, including I'm Not There, Boys Don't Cry, One Hour Photo, and the 2010 HBO mini series Mildred Pierce. The annual Address is billed as assessment of cinema + culture + society. Here's a little summary. The style of the talk was the type where Vachon would ask a question, sort of state that she didn'...

IFFBoston 2010: Weekend

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A sampling of the films on IFFBoston's chock-full weekend slate includes: Cell 211, Anne Perry: Interiors, 9500 Liberty, and The Killer Inside Me. Eight-time Goya Award-winning Cell 211 is a taut prison thriller whose central characters are a new guard trapped on the inmate side of a nascent prison riot and the brutal rebellion’s emergent leader.  This excellent Spanish export leaves no breaks in the pacing or in the lives of the characters.  Each battle is hard fought, hard won, and hard...

The Suspensful Career of Brian De Palma

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  While Alfred Hitchcock will forever be known as the "master of suspense", one of his true admirers, the director Brian De Palma, also shares the master's abiding interest and superb execution of the thriller genre. If anything, De Palma was able to be much more explicit in the depiction of violence and sexality than Hitchcock was able to do in the more buttoned-down decades of the 1950s and 1960s. In many ways, De Palma combines the classic elements of less-is-more film sus...

13th Film Noir Festival in Hollywood

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The 13th Annual Film Noir festival, known affectionately as "Noir City", arrived at its usual venue, the fabled Egyptian theater on Hollywood Boulevard, on April 1st, settling in for a three week run until April 20. Here dedicated Noir fans and many merely curious drop-ins will be treated to a series of established classics of the genre and rarely seen new discoveries in a viewer friendly "double feature" format -- just like the old days -- two distinctive black and white features from Hollywoo...

Chuck Workman introducing Visionaries and Jonas Mekas

Visionaries: Jonas Mekas and the (mostly) American Avant-Garde Cinema Dir. Chuck Workman [Calliope Films; 2010]

PRESS CONFERENCE AT 13TH TDF

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   CONFERENCE “THE EVOLUTION OF THE GREEK DOCUMENTARY: THE FEMALE PERSPECTIVE” The 13th TDF organized a conference on the evolution of the Greek documentary from a female perspective on Friday, 19 March 2011 at the John Cassavetes Theater, with the participation of Valery Kontakos (director, producer), Kyriaki Malama (director), Katerina Patroni (director) and Eva Stefani (director). The discussion, which was moderated by Yiorgos Krassakopoulos, touched on various issues, such ...

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