As in past years, the documentary sector appears to be consistently stabile, politically engaged and in its diversity well equipped for the cinema. Moreover, it's a treasure trove for themes that inspire fictional films.
On February 10, 2012, in Cinestar7, the Panorama Dokumente will open with The Reluctant Revolutionary by British director Sean McAllister. The film is about a Yemenite tourist guide who slowly abandons his professional distance towards the political "spring&...
Diagonale 2010 Opening Film
Diagonale 2010 will open with Robert A. Pejo's The Cameramurderer on the 16th March at the Helmut-List-Halle. This Austrian-Swiss-Hungarian co-production is an emotionally charged psychodrama based on the eponymous bestseller by the Styrian author Thomas Glavinic. The lead roles are played by: Merab Ninidze, Dorka Gryllus, Andreas Lust and Ursina Lardi.
A Tribute to Peter Schreiner in collaboration with Ö1
One of the high points of this year's festival is the t...
WHY WARHOL MATTERS AT VIENNALEOctober 14 –26, 2005A series of events accompanying the Andy Warhol retrospective Working Class, a series of film lectures on the festival program, introduced at the VIENNALE 2004, will have a special follow-up this year. Following last year’s lectures by Jean-Pierre Gorin, this year’s Working Class is dedicated to Andy Warhol and his cinematic oeuvre, complementing the Warhol retrospective, realized in collaboration with the Österreichische Filmmuseum. Under...
LOVE IN THOUGHTS (WAS NUETZT DIE LIEBE IN GEDANKEN) opens the 9th Festival of German Cinema in Paris (6 - 12 October 2004) On October 6, 2004, the 9th Festival of German Cinema will be opened in Paris by German Films and its partners in the presence of director Achim von Borries and the main actors August Diehl and Jana Pallaske. A total of eight new feature films, a retrospective, a TV film, two documentaries and two silent films as well as the short film programme of NEXT GENERATION 2004 will ...
From Woody Harrelson’s gift for green issues and an anarchistic political satire on the WTO to the illumination of politically uncharted regions in Latin America*, from Karmakar’s essay about a forgotten concentration camp in southeast Poland to the growing-up of Palestinian children – from the situation of Iranian women, the homeless in Hollywood, intellectual women on the different sides of wars and conflicts to analytical portraits of culturally relevant artists like Klaus Nomi and The ...
