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WELCOME TO OUR NEWSLETTER N° 456: March 10, 2010
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La Géode : Concours du Film Hors Normes 3D relief ou IMAX
April 1 - 18, 2010 - Inscription jusqu’au 30 mars 2010
La Géode commence l'année de ses 25 ans en beauté en organisant un
Concours de réalisation audiovisuelle en 3D relief ou THD pour report
sur IMAX™, afin de ...
by Richard Traubner
The Retrospektive at the Berlinale usually excites all types of film historians, curators, museum personnel, and other interested parties--especially when it's a German subject. This year, a restored version of Fritz Lang's 1927 Metropolis trumped the Retrospektive itself, which was a look-back at significant and sometimes controversial films shown at the film festival since it began in 1951--in far warmer June weather.
Many of these films...
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WELCOME TO OUR NEWSLETTER N° 455: March 4, 2010
Follow
this LINK
if you cannot read the newsletter properly
La Géode : Concours du Film Hors Normes 3D relief ou IMAX
April 1 - 18, 2010 - Inscription jusqu’au 30 mars 2010
La Géode commence l'année de ses 25 ans en beauté en organisant un
Concours de réalisation audiovisuelle en 3D relief ou THD pour report
sur IMAX™, afin de p...
The Retrospektive at the Berlinale usually excites all types of film historians, curators, museum personnel, and other interested parties--especially when it's a German subject. This year, a restored version of Fritz Lang's 1927 Metropolis trumped the Retrospektive itself, which was a look-back at significant and sometimes controversial films shown at the film festival since it began in 1951--in far warmer June weather. Many of these films are quite familiar now: In the Realm of the Senses, The ...
The Retrospective at the Berlinale this year was devoted to Luis Buñuel, an odd choice perhaps for the German capital, but exceedingly valuable as it offered viewers not only the familiar surreal landmarks of the 1920s and those from the end of his long career, but also a look at just about everything that came between, when the director was earning a living churning out all sorts of films in France, Spain, Mexico and the US as producer, uncredited director, and writer.Many of these have been f...
The Retrospective at the Berlinale this year was devoted to Luis Buñuel, an odd choice perhaps for the German capital, but exceedingly valuable as it offered viewers not only the familiar surreal landmarks of the 1920s and those from the end of his long career, but also a look at just about everything that came between, when the director was earning a living churning out all sorts of films in France, Spain, Mexico and the US as producer, uncredited director, and writer.Many of these have been f...
