Non-repayable Genre Cinema

Social cinema as a notion involves no funds, but narrating of hardships, orphanage, mental perplexities and tough life experience. My protagonists are selfless and of rich spiritual history. In Hollywoodian dimension tgey are recognized (Liftoff Festival, Stage32). In European dimension, they are somewhat legendary and inheriting to Antonioni, Visconti, Dzafirelli. My former coursemates lead me to acquaintances with Pazolini and Tonino Guerra, in person. I took after Paradjanov and Ioseliani, as at the age of 3, straight after my 3rd birthday, I found myself in Soviet Georgia, at the Black Sea Shore, near a boundary with Turkey (while four-fifth Greek in blood, Muscovite and Slavonic   in bitrh, I followed the route of  the adolescence of Cavafis, Brodsky's seemingly the best poetician).

Social cinema entered, with myself, the realm of the Middle East. By Anna Polibina-Polansky.