
We are so excited to see you for the 24th Provincetown International Film Festival starting June 15th!
To help you get ready for an unforgettable five days of unflinching cinema, here are some helpful tips and reminders:PIFF PASSES AND TICKETS:
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All festival screenings and conversations REQUIRE A TICKET, reserved in advance online or at the box office.
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PIFF PASSES are available for purchase and get you access to films, conversations, parties, and more!
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TICKET PACKS get you 6 or 10 tickets at a discounted rate, perfect for sharing with your flock, or for keeping all for yourself!
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Got your PIFF PASS or Ticket Pack? READ OUR FAQ for instructions on redeeming your tickets!
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Passes and tickets can be picked up at our FESTIVAL BOX OFFICE at the Provincetown Commons starting Saturday, June 11th at 12 p.m.
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STAYING IN AND GETTING AROUND PROVINCETOWN:
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AN UPDATE TO OUR COVID POLICY:
In order to keep our patrons, staff, volunteers, and guests safe and healthy throughout the festival, masks are required while inside all indoor screening venues. Masks will be available for no charge at all venues. We thank you for your cooperation!
READ FULL COVID POLICY
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Opening Night Film: GOOD LUCK TO YOU, LEO GRANDE
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Nancy Stokes (Emma Thompson) is a retired school teacher yearning for some adventure, and some sex. Good sex. And she has a plan, which involves hiring a young sex worker named Leo Grande (Daryl McCormack).
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Opening Night Party
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The historic Crown & Anchor pulls out all the stops and sets the tone for your Festival adventure. Stars, filmmakers, fans, and locals all come together in this see-and-be-seen event. Admission included with tickets to the Opening Night Film.
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Free Pier Screening: WAITING FOR GUFFMAN
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See WAITING FOR GUFFMAN like it's never been seen before - at the very end of MacMillian Pier, overlooking Cape Cod Bay, with former PIFF Excellence in Acting honoree Parker Posey in attendance!
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EMILY THE CRIMINAL
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Starring 2017 inaugural Next Wave Honoree, Aubrey Plaza, EMILY THE CRIMINAL is a tense and compelling thriller, heartbreakingly tied to our current economic times and anchored by a captivating and daring performance by a never-better Plaza.
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MY OLD SCHOOL
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As Alan Cumming brilliantly gives life to the testimony of Scotland's most notorious imposter, Brandon Lee, amidst 90s-style animated “reenactments,” a chorus of Lee’s real-life classmates tell their versions of the story as only those who actually experienced it can in this warm and funny roller-coaster ride of a film.
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