Orientalism from Anna Polibina-Polansky and More

ORIENTALISM HAS PROVED TO BE ONE OF MY RECENT BASIC GENRES.

Esperimental cinema of Mediterranean knighthood, medieval subjects (miniatures, manuscripts, verses) and annual reports of knights' orders are now acclaimed to be my fresh themes.

Featurings and documentaries of restricted length (up to 30 minutes each), because of the versified and symbolically-publicistic forms, prove to be a new layer at my genre vision. I spread my feature research onto the countries up to the Far East and South-Eastern Asia, and we do not welcome the Jewish mentality of simplistic shapes and accesses, especially mundane and speculatory ones.

However, I summon those who enjoy poetic films of lyric (and simplisticly gifted) personalities, worthy and meaningful, to enjoy my new plots and protagonists. My cinematographer is the area of subtle allegorism and profound viewing of habitual or trite, half-forgotten realias.

Anna Polibina-Polansky, experimental film director, poetic script writer, self-announcer from Moscow

Who meant to ask me of my uncle Micelangelo Antonioni, yes, it's correct that he came to visit the Moscow Movie Festival of the year 1975 to meet my pareemts, but I had not yet been born by then. Why should I consider myself a screen legend just because of minor, trivial factology of daily being? I don't truly see...

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