The film is an oddly charming and unique love story that explores a twisted psychological predicament as in the ‘extremist’ tradition of Japanese and South Korean cinema… A big city at night. Two young cyborg lovers (a Japanese boy and girl) are on the run from repair men. The couple reaches a bridge and agrees to jump to escape to a better world but as they step off the boy pulls out at the last moment. After a literal kiss of death (from the figure of Death itself) the girl's ghost rises from her body and looks around for her partner, but the boy sneaks off, ashamed he failed to keep his promise. Whilst sulking and hidden in a giant cardboard box (once used to contain a cyber), a cunning idea strikes the boy – one which he thinks will allow him to face the girl with respect intact ...but it backfires spectacularly and he wanders the night streets in a sulk, his various comical attempts to terminate himself intermittently punctuating his gloom. Out of ideas and resigned to the fact that he will never again be with the girl, a passing emergency siren leads him on a chase through the night streets as he hunts down the figure of Death itself... The film shares a combination of the mythical tone and dark humour of Old Boy with the playful, dream-like tone of Punch Drunk Love.