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Director: Michael Buckley.
Storyline:
from Nomad to Nobody
Motivated by previous travels to Tibet, the narrator sets off on a personal quest, focusing on the fast-disappearing Tibetan nomad culture. Why are the nomads being forcibly relocated by Chinese officials? Why are they are being shifted off their traditional grazing lands into concrete ghettos? In these settlement camps, nomads are marginalised and have little chance of making a decent living, or finding a new profession. Previously, when grazing yaks, they were self-sufficient and lived in an entirely sustainable way. Now, they are unemployed, and dependent on the Chinese government for hand-outs—and for food.
Between 1995 and 2015, official Chinese policy has targeted the removal of more than two million Tibetan nomads from their land for settlement. In an era where sustainability is the mantra, Chinese policy makes no sense. This re-settlement policy is designed to wipe out nomad culture and its strong connections to traditional Tibetan values. Nomads are the stewards of the vast grasslands of Tibet—they have been grazing these lands with their yaks for close on 4,000 years. Without the nomads, the grasslands (already affected by climate change) will further deteriorate and turn into desert. This could have global impact, as these grasslands constitute an important carbon sink.
What are the motives behind China's forcible settlement of Tibetan nomads on such a huge scale? Why are Chinese mining and dam-building companies moving into the same grassland regions? What happens to nomads after shifting to a semi-urban environment? What happens if they try to mount protests? What does the future hold for the vast grasslands of Tibet? These are questions the documentary sets out to explore, in this personal take on the plight of Tibetan nomads.
Director: Dawn Westlake.
A Syrian refugee girl and a European boy combine religious forms to create a functioning secular peace.
Director: Pierre Yves Clouin.
I serve myself a piece of ass.
Director: Pierre Yves Clouin.
Third Prize, 8th Lesbisch-Schwule Filmtage, Hamburg, Germany, 1997
Third Prize Experimental, NAP Video Festival, New Arts Program, Pennsylvania, USA, 1998
Television broadcast: Switch 2, Atelier de recherche de la sept arte, 1999
Collection: Getty Research Institute, Long Beach Museum of Art Contemporary Video Archive, Los Angeles, California, USA
exhibitions and screenings of "Front Room":
Director: Pierre Yves Clouin.
Third Prize, 8th Lesbisch-Schwule Filmtage, Hamburg, Germany, 1997
Third Prize Experimental, NAP Video Festival, New Arts Program, Pennsylvania, USA, 1998
Television broadcast: Switch 2, Atelier de recherche de la sept arte, 1999
Collection: Getty Research Institute, Long Beach Museum of Art Contemporary Video Archive, Los Angeles, California, USA
exhibitions and screenings of "Front Room":
Director: Pierre Yves Clouin.
Third Prize, 8th Lesbisch-Schwule Filmtage, Hamburg, Germany, 1997
Third Prize Experimental, NAP Video Festival, New Arts Program, Pennsylvania, USA, 1998
Television broadcast: Switch 2, Atelier de recherche de la sept arte, 1999
Collection: Getty Research Institute, Long Beach Museum of Art Contemporary Video Archive, Los Angeles, California, USA
exhibitions and screenings of "Front Room":
Director: Pierre Yves Clouin.
Director: Pierre Yves Clouin.
Director: Pierre Yves Clouin.
Director: George Pitsakis.
In the gaslight Piraeus of the 30’s, an old drank is entering a house, raping a young woman.
She owns a strange mirror which passes onto other girls, causing them horrible accidents.
In our time, three university students rent a house in just the right price. Strange sounds and strange dreams haunt the three girls and withdraw them to the visions of the mirror.
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