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Martin Scorsese Masterclass in Cannes

 

 

 

Discover New Films

Alma

Director: José Javier Pérez.

Amanar Tamasheq

Director: Lluis Escartín.
A man walks into the desert. A man lives with the Tuareg. A man listens to another man, and this one asks the other to film everything he finds. To film it and spread the word beyond the dunes. Film everything, even if he does not understand. Film it, even if what’s most important remains invisible.

AMARAS A TU ENEMIGO

Director: ALEX QUIROGA .
LOVE YOUR ENEMY Jordi is in love with a famous rock singer Rain, but his life is not what you want, and that his adoptive parents never revealed their origins, making a dent in your current life. In his work as a researcher, his stepfather makes it a very personal request, find the story James G, a Spanish disappeared during the military dictatorship (1976-1983). Jordi access and travel to Argentina is an excuse to evade their marital problems. But fate is playing a trick, since harassed by former Argentine military will make your task is not easy. One day hopefully gives a woman a victim of repression in Argentina that puts you in the right direction, contact Mario Zosa which is a old retired military police to tell him with all details the kidnapping, torture, and interrogation of James.

Amazing Ocean 3D

Director: Timo Joh. Mayer, Benjamin Eicher.

Amber - "Jag Är Min Egen"

Director: Johan Bergqvist.
In the far stretching forest landscape of Sweden, a cop killing drug dealer on the run from the law finds himself having to care for a baby girl. With the child's welfare in peril he pursues a deadline to deliver a batch of the new killer drug Grunt to a contact in Finland and during his escape he runs into old acquaintances and pays a visit his notorious boss Petri. An encounter that will force him to confront his own past and determine his future.

Amelia and Michael

Director: Daniel Cormack.
A married couple appear to have all the trappings of wealth, success and happiness, but both Amelia and Michael have secrets from each other. Michael drops off Amelia for lunch, but once the car is out of sight, Amelia removes her wedding ring and travels to an alternative destination. Michael, however, appears the perfect husband, organising a romantic dinner. But things are not always as they first appear. Amelia goes again to her secret destination: a hospital, where she is visiting a Lover who has been paralysed in a motorbike accident. Michael’s dinner is with a Call-Girl. After she has left his hotel room, he tries to sleep but can’t and is disturbed by a phone call from his work colleague Francis who has discovered his whereabouts. Amelia uncovers evidence of Michael’s duplicity, but before she can act, the phone rings. She rushes to the hospital, but arrives to find her Lover has already died. Amelia returns to find Michael in the kitchen, who mistakenly assumes his infidelity is the cause of Amelia’s distress. He tries to explain but she silences him. Amelia and Michael sit in the car in silence. A motorbike stops next to them; an incidental detail of the opening scene which now acquires a poignant and arresting meaning - representing the lost vitality of youth and love. AMELIA AND MICHAEL addresses the discrete, multi-faceted and often contradictory personas people present to each other and asks whether it is possible to truly know another person or even yourself.

AMERICAN SEAGULL

Director: Michael Guinzburg.
Travis is crazy in love with Nina, a beautiful Russian actress. He’s almost got it all -- he lives with his grandfather Bruce on a gorgeous Malibu estate above the crashing Pacific and has just completed a short film of great mystical beauty. But instead of confident and joyful, Travis is depressed and alcoholic. His mother, the movie star Irene Del Mar, is visiting from New York with her younger boyfriend, the film director Trigger. The screening of Travis’ film in front of family and friends is a disaster: Irene interrupts the film and Travis storms off. At the party afterward, Nina meets Trigger -- sparks. Travis becomes more despondent and neurotic. Moping on the beach, he throws a rock and kills a seagull. Like a crazy man, he presents the dead bird to Nina. The gift does not please her, and when Travis witnesses Trigger and Nina kissing he loses it and grabs a gun. Boom! Thankfully it is just a flesh wound but Nina is freaked and runs off with Trigger. Two years later, Trigger dumps Nina and goes back to Irene. Nina becomes a drug addict and Travis, whose film ironically has become a great success, rescues Nina from a dive bar in Texas and gets her into a Malibu rehab. Grandpa Bruce has a stroke and Irene and Trigger wing back to California to visit. Nina escapes rehab and returns to the estate for one final date with destiny. And yes, the gun is involved.  

AMOUR'S UPGRADE

Director: Larisa Isaeva.
Every family goes through a crisis of relations. When there is a danger of losing love, Amour's Angel comes to the rescue. He proposes husband to upgrade amour and update the marriage relationships. How? Play a game Crazy Ray of sunshine! The husband starts game... This is a fairy tale, where all wishes are granted. There are all that is in the life of every family: friends, lovers, relatives boring, nasty teenagers in this amusing tutu of musicals. This is a funny musical satire on a family relationships, the eternal dispute between a man and a woman - who is right? The Headline of this story is: Laugh if you wanna to cry! Be happy if you wish!

AN EYE FOR AN EYE

Director: Valeria Fonseca.
Based on Gandhi's quote "An eye for an eye will quickly leave the whole World blind" The film highlights the futility of the war on terror by taking a glimpse into a timeline of events that have unfolded since the 9/11 terrorist attacks in NewYork City and, explores the conflict between the West and Islam from a satirical point of view.

Anamorphosis

Director: Karlos Alastruey.
A woman shifts to a parallel world during the night, and she must live a new life.

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