What makes a festival successful? Great films and great audiences, and Belgrade's 40th FEST had both in spades- indeed, the event was such a hit, it was extended by a day to accommodate a last-minute regional premiere for The Artist, fresh from its triumph at the Oscars in Hollywood(and in keeping with its immaculate organisation, there was even an advance press screening of the French 'surprise' gift to Belgrade's enormous audiences.
For the event is centred in what must be one of...
A little more about Serbian Short Film production and Serbian filmmaker Marko Kostić and about his promising career and interesting ideas you can read in this interview. Marko Kostić directed short film Mašinica (The Gadget), a little film that Belgrade film lovers had the chance to see on the last Documentary and Short Film Festival in Belgrade.
- What is the advantage of the short film in Serbia and general?
Distribution options are limited to short film festi...
Academic Film Center was founded as Akademic Film Club in 1958. Through its history, thanks to authors such as Kokan Rakonjac, Sava Trifkovic, Živojin Pavlovic, Tomislav Gotovac, Dragoslav Lazic, Vjekoslav Nakic, Milan Jelic, Radoslav Vladic, Ivan Obrenov, Ivko Šešic, Nikola Đuric, Miodrag Miloševic, Bojan Jovanovic, Miloje Radakovic, Dejan Vlaisavljevic, Igor Toholj, Bob Miloshevic, Zelimir Zilnik, Godina etc… it became very significant and most awarded of all film clubs in ex Yugoslav...
British actor and now film director Ralph Fiennes opens Belgrade 39th International Film Festival FEST 2011. After the second premiere of Fiennes’ directorial debut of Shakespeare's adaptation of Coriolanus, Belgrade’s 50 000 people of Sava Centar Hall sighed frantic by the very fact that the film was all done in Belgrade. Fiennes here stars next to Brian Cox, Gerard Butler, James Nesbitt, Vanessa Redgrave and couple of Serbian actors Dragan Micanovic and Slavko Stimac. The film, as I sa...
Stefan Arsenijevic’s “Love and Other Crimes” on Zagreb Film Festival 2008
www.zagrebfilmfestival.com represented Serbian film. On one way, generally speaking, it’s a typical Serbian film, showing general depressive atmosphere in Serbia nowadays, with alienated people, spared from direct impact of a civil war but self-destructive on the other way. As it is a Serbian/German/Austrian/Slovenian co-production film still represents Serbia.
It is happening in Belgrade’s so call...
