The Zoya Factor, Review: Cricket superstitions, and bowling a ‘maiden’ over It’s a romantic comedy about cricket, superstition and finding your soulmate after several heart-breaks. Strange...

Dream Girl, Review: Lady Boy’s multiple nightmares Can one accuse film-makers of misleading audiences by describing their films as anything but what they really are? Dream Girl, dubbed ‘family...

Badshaah Pahelwan, Review: There’s a brown wrestler in the boxing ring, tra la la la la When director of photography S. Krishna turned producer just over two years ago, vicariously, through his...

Chhichhore, Review: Posers for losers, choosers and imposers Few ideas would be more contradictory than a parent’s attempt to revive his dying son by calling his college mates to the Intensive Care...

Saaho, Review: Posture Boys Grand emptiness fills the screen as the Saaho saga unfolds. There is a semblance of a plot and a picture post-card collage of both serene and breath-taking visuals....

A maker with a penchant for addressing social and sociological malaises tries his hand at the intra-nation village/small town to big city trans-migration issue in India, as seen through three...

Yomeddine, Review: Disability or this ability? Unlikely companions embark on an impossible journey, to trace their roots, hundreds of miles away, on a donkey cart, with little money and barest of...

  HawkMedia Studios has had a film screened at a Rome Italy art exhibition, has had 54 films screened by 25 film festivals throughout the world and has 120+ credits on IMDb. There will be a...

Batla House, Review: Policeman with Post-Traumatic Stress Disorder Distinguishing one police thriller from another is becoming an increasingly difficult task. He is part of an incident/encounter...

Jabariya Jodi, Review: Scaring, paring and pairing Imagine a country where dowry demands are the bane. Imagine a state in that country where the demands of families of educated and gainfully...