Chidiakhana, Review: Of all the animals in the zoo… Made under the Children’s Film Society masthead, now merged with the National Film Development Corporation (NFDC), Chidiakhana is not a zoo story....

Aazam, Review: “I want to be the next Don, and stop me if you can” Ministerial power often stems from a ‘healthy’ give and take with underworld Dons. There is a popular belief that legislators play...

8 am Metro, Review: One train, many tracks Firstly, it is not about a train. Secondly, the journey of the lead characters changes so many tracks that it ultimately derails, and it takes a long-drawn...

Chatrapathi, Review: Axe Rated Should have been spelt Chhatrapati, buy never mind. As a remake, it has carried over the spelling of the Telugu original. The title is a reference to Shivaji, the...

Mother Teresa & Me: A stunning Swiss portrait of an Indian Saint He comes across as a youngish, genial uncle, with a deadpan sense of humour. Answering to a name like Kamal Musale, he had to be at...

UnWoman, Review: What if the bride turns out to be a eunuch? Sounds far-fetched and implausible, but if you watch UnWoman, it seems possible and even probable. A taboo subject, made by an...

FICCI FRAMES III: Arunabh Kumar spreads The Viral Fever Its fever. Its viral. And it was started by a man called Arunabh Kumar. Shortened to TVF, the company produces content and is made up of...

Netflix’s Kathal: The curious case of the two missing jackfruits and its serious, very serious ramifications Firstly, it was not discovered by a man named Jack. Secondly, it is not a fruit, but a...

FICCI FRAMES 23, 02: Minister Piyush Goyal lauds Naatu-Naatu, The Elephant Whisperers and Woman Power Day 2 of FICCI FRAMES 23 had Mr. Piyush Goyal, Minister of Commerce & Industry, Consumer Affairs...