Gali Guleiyan (In the Shadows), Review: Shadow boxing in labyrinthe thin A year after being shown at Busan and the Mumbai International Film Festival, Gali Guleiyan emerges from the shadows and...

Halkaa, Review: Doing it in the open! Precisely the presumption of the makers of the film. Precisely the bane of filmgoers and film-critics. Furthering the cause of Swachh Bharat (Clean India), a...

Set in 18th century Jamaica, an escaped slave tries to free his pregnant sister from McNab’s cane plantation. They are forced to separate when they are attacked by guardsmen. Abeeku must find the...

By Alex Deleon           ~~ Tony, Marilyn, And Jack, in Some Like it Hot --   It is a fact of cinema life that films after many passages through the projection equipment eventually...

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"JOSE" director Li Cheng (right) with cinematographer Paolo Giron (left), in front of Giornate degli Autori / Venice days headquarters, at the festival at Lido. Giron is native of Guatemala City,...

On the fifth day at the Venice Film Critics' Week, the surreal comedy Bêtes Blondes by French directors Alexia Walther and Maxime Matray hits the Lido   Tomorrow, Monday September 3, Italian short...

Yorgos Lanthimos’s classic comment on the more he works out of Greece the more Greek he feels. For taking on the leading role of Queen Olivia Colman says it is a natural next step.

Nesta Morgan reports from Venice for filmfestivals.com, sketching film professionals, panels and coneferences. Nesta Morgan storyboards, and designs film and tv sets. Nesta's sketchbooks are full...

Yorgos Lanthimos’s classic comment on the more he works out of Greece the more Greek he feels. For taking on the leading role of Queen Olivia Colman says it is a natural next step.