IFFI 52, 030: BRICS film festival held alongside IFFI “We are all from different cultures, different backgrounds and different thought processes; coming together on the same page to pick out a best...

IFFI 52, 029: Kalkokkho is a phantasmagorical movie Amidst the paranoia and dread inflicted by the COVID-19 pandemic, an apathetic but adept doctor is taken hostage by a young woman. Captive in an...

IFFI 52, 028: Bodo language film Sijou unveils brutal feudal system Hitherto unknown and unexplored, Sijou, a Bodo language film, unveils the inhuman brutality of the feudal land tenure system,...

IFFI 52, 027: Identity of world’s largest democracy addressed in Bharat, Prakriti ka Balak What is the essence of Bharat, our country? What is the meaning underlying this idea? How did it come into...

IFFI 52, 026: Garhwali film Sunpat addresses the migration crisis ‘Sunpat’ is a story of love and friendship set in the backdrop of migration driven crisis in the villages of Uttarakhand, a state in...

IFFI 52, 025: Ruben Sainz and Alvaro Turrion talk about their film, Maogoado 'Magoado' is the emotional drama of a man who is not ready to take responsibility of a father: Music Composer Alvaro...

IFFI 52, 024: Niraye Thathakalulla Maram kindles kindness, care and compassion “We are losing our ability to empathise, to show kindness and care” said Jayaraj, director of Niraye Thathakalulla...

IFFI 52, 023: Comfort the disturbed and disturb the comfortable, with Sweet Biryani “There is a famous quote, which says, ‘Art should comfort the disturbed and disturb the comfortable.’ I think this...

IFFI 52, 022: Pregnant, harassed-to-hell woman, or suicide bomber? Governments exist to serve the people, but often, the common citizen has to struggle, knock one door after another, in order to...

IFFI 52, 020: Covid and a crow IFFI 52 Indian Panorama Film Teen Adhyay seeks to light a candle of hope in the darkness, following COVID-19. It is based on the optimistic dictum: “However deep the...