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IFFI Goa 2017, II: The Countdown has begun, but who is counting?
Hitherto, the International Film Festival of India (IFFI) was organised by the Directorate of Film Festivals (DFF), Ministry of Information and Broadcasting (MIB), Central Government of India (all in New Delhi), in collaboration with various other Ministry units. The media relations were handled solely by the Press Information Bureau (PIB). When the annual event moved to Goa and set base there, a special body was created by the ...
IFFI Goa 2017, I: Delegate Registrations and Committees
International Film Festival of India (IFFI) 2017 will be held in Panaji Goa, from the 20th to the 28th November. It has been held annually in the tourist haven since 2005.
Registrations are open till November 10, on https://my.iffigoa.org/
IFFI’s has grown from 23 participating countries in 1952, to 100 countries in 2017. Three main committees spearhead the organisation of the effectively nine day event: The Preview (selection) C...
Mumbai Film Festival: Pot luck and glam game
MFF, run by Mumbai Academy of Moving Image (MAMI), is among four Indian film festivals recognised by FIAPF ((Fédération Internationale des Associations de Producteurs de Films/International Federation of Film Producers Associations), which is based in Paris and has its Secretariat in Brussels. International Film Festival of India (IFFI, Goa) is the only one recognised as certified for International Competition. Kolkata and Thiruvanant...
Ajji, Review: Gran finalé
Enough of laurels for acclaimed shorts like Taandav, Aglee Baar, Absent, and the largely unknown feature, Oonga. It was time for Devashish Makhija to push the limits hard, and make a shocker that would provoke the critics into hot debate, and leave the masses, if and as and when they get to see it, cringing and stunned.
In Ajji (Granny/Marathi title, though the film is in Hindi), as in most films that emanate from and belong to a genre, content dictates form....
Best of Luck, Laalu: Satire on education ‘merit’ game has merit, take-aways
His name is Laalu Modi, but the moniker is not an amalgam of two veteran politicians from the Indian arena, Laalu Prasad Yadav and Narendra Modi. At least not obviously so. The film’s protagonist is Laalu, son of late Devesh and Bank Cashier Daksha, and grandson of Haresh Modi. All the Best, Lalu begins in flashback, as Lalu retraces incidents and developments in the last two years in his life, even ...
Ranchi Diaries: Nothing to write about
Some films make you wonder whether their makers have any friends at all, for if they did have any well-wishers, why did they not speak-up and give some honest feedback during the making? You do not need to be a critic to conclude that a film like Ranchi Diaries is terribly flawed, though critics might tell you what are the things patently wrong with it: no coherent screenplay, false Bhojpuri accents, totally exaggerated and over-the-top dialogue, no resp...
Thor-Ragnarok: Of hammers and horns, Avengers and Revengers
Add humour. Suspended in mid space inside a trap-net by the fire demon Surtur, Thor asks a fellow prisoner how long has he been there. Pans out the fellow has already turned into a skeleton by this time, and, on hearing Thor’s query, his jaw (bone) drops off, literally. That’s the first scene, and the first laugh. After a marathon bout as gladiators in a cosmic arena, Thor and Hulk are freshening up, and Hulk comes out of...
MAMI’s 19th Mumbai Film Festival, 12-18 November: Eleven brief reviews
April’s Daughter-Mexico(World Premiere)-Michel Franco
Story of an immoral mother and her two daughters, one of who becomes pregnant at 17, this is really adult content, though more in terms of theme than skin show or sex. A single mother out to steal her own daughter’s baby as well as her lover is a theme not many would tackle. Co-producer, writer and director Franco leaves the ending open, and suitably ...
mother!, review: The allegory category
Darren Aronofsky’s reputation precedes him, as milling crowds at Mumbai Academy of Moving Image (MAMI)’s 19th Mumbai Film Festival (MFF) bore testimony. Every show was packed to capacity and it was only at 10.30 pm on the last day of the festival that I could get to see mother!, thanks to the consideration shown by an event manager earlier in the day. Any director who has names like Black Swan and Noah on his portfolio is bound to generate hi...
MAMI’s 19th Mumbai Film Festival, 12-18 November: The Winners
Indian category
Golden Gateway award, Oxfam Best Film for Gender Quality award and Young Critics Choice award: Village Rockstars
Silver Gateway award: Machines
Grand Jury prize: In the Shadows
Special mention: Up, Down and Sideways, and S(exy) Durga
International category
Golden Gateway: Summer 1993, Spain
Silver Gateway: Quest, USA
Grand Jury: The Wound, South Africa-Germany-France
Special Mentions: Scary Mother, ...
MAMI’s 19th Mumbai Film Festival, 12-18 November, Mumbai: Many good films, no masterpieces
Overview of the films, seen and unseen.
*Mukkabaaz-India-Anurag Kashyap: Inaugural film, inaccessible to me.
Anurag Kashyap is a much-acclaimed film-maker and a member of the Board of Trustees of Mumbai Academy of Moving Image (MAMI).
India Gold section
*Checkmate-India-Ektara Collective: Good feature film debut of independent collective: ***
(film still above).
*Granny (Ajji): India-Devashi...
Tom Alter: Actor, Cricketer, Urdu lover and Caucasian
Unlikely combination of professions and hobbies for a man named Thomas Beach Alter, who hailed from a family of American missionaries. His acting abilities were never in doubt, and the barest accent betrayed his ethnicity. But his skin and hair distinguished him from other Indian co-actors quite noticeably, and he had to be content with parts showing him as a British colonial or modern day baddie. There were occasions when he was made to s...
Poster Boys, Review by Siraj Syed: The Half Monty
Actor Shreyas Talpade’s directorial debut vehicle Poster Boys is a remake of his Marathi hit, Poshter Boyz. It also carries an elaborate scene towards the climax which reminds you of the British cult movie, The Full Monty (1997), wherein three unemployed men decide to strip on stage to earn some much needed money. Well, an Indian movie has a chance and a half of pulling off such show of skin on screen, either sex, so they decided to meet...
Sameer, Review by Siraj Syed: State of terror
Bomb blasts, attributed to extremist groups, have occurred in India time and again, particularly in the last 25 years, causing several deaths and injuries every time. In most cases, the accused and the sentenced men both belong to India’s minority community of Muslims, which fact has fuelled false beliefs that all bomb blasts are the work of Muslims, and that almost all, if not all Muslims are terrorists. Sameer chooses this sensitive theme,...
Dead on Arrival, Review by Siraj Syed: Sex, corruption and corpses
A pharmaceutical sales representative is driving when he has a seizure and barely manages to stop his car and crawl out. Picked-up by a Sheriff on patrol and taken to a hospital, he is told that he has been poisoned and will die in the next 24 hours. Time to realise that you are just two minutes into the film, when the stage is already set for a noir thriller that is inspired by the 1950 classic but speaks the cinematic langua...
Logan Lucky, Review by Siraj Syed: How to steal millions, with a prosthetic arm and a limp leg
After Christopher Nolan wowed audiences with Dunkirk, his friend Steven Soderbergh crafts a never-never heist, with no weapons and unbelievable tools, master-minded by a limping, laid off construction worker, and his one-armed bartender brother. Logan Lucky, not to be confused with the world of werewolves, is a delightfully detailed film that bears many of Soderbergh’s trade-mark touches, and ...
Former American Vice-President Al Gore says in the film, “In order to address the environmental crisis, we're going to have to spend some time fixing the democracy crisis.” Unless there is a significant democratic will, both in the USA and the rest of the world, a disaster of epic proportions is waiting to happen, is the message, loud and clear. Gore continues his crusade against global warming by making a second film, An Inconvenient Sequel-Truth to Power, to follow up...
Game of Thrones content leak: India’s Prime Focus issues statement
I have received the following communication today, 16 August 2017, in Mumbai, by email
STATEMENT FROM PRIME FOCUS TECHNOLOGIES
Mumbai, India (August 15, 2017) - On August 4, 2017, a link to view Episode 4 of Season 7 of Game of Thrones, bearing a Star India (TV network operators, distribution partners of HBO in India) watermark, appeared online, three days before its airdate, as an outcome of an illegal breach of oblig...
Toilet—Ek Prem Katha, Review by Siraj Syed: Loo and behold!
There is no point getting revolted by the title. Any fear that the film might have ‘dirty’ scenes can be laid to rest by the realisation that we have a robust Central Board of Film Certification (CBFC) that sanitises every film before release. And almost every Indian knows that the current Prime Minister launched a campaign two-and-a-half years ago, to ensure that millions of villages and small towns in rural India ...
Atomic Blonde, Review by Siraj Syed: Blonde, Lorraine Blonde
“Bond, James Bond” is the most famous self-introduction in spy movie history, courtesy Sean Connery playing Ian Fleming’s Cold War time British secret agent 007. Fifty-five years on, Charlize Theron has picked a graphic novel by Anthony Johnston to invent herself as Lorraine (blonde) Broughton, the present day ‘equivalent’ of not only Bond, but John Wick and Jason Bourne, with a dash of Mad Max, severel...
French star Jeanne Moreau no more
Jeanne Moreau has died at her Paris home today, aged 89. She leaves behind a legacy of memorable films, including classic vehicles of Louis Malle and François Truffaut. Born to a French restaurateur father (Anatole Moreau) and English cabaret dancer mother (Katherine Buckley) on 23 January 1928 at Paris, she studied at Collège Edgar-Quinet and Conservatoire National d’Art Dramatique. In 1948, she became an actress with Comédie Fran&...
Dunkirk, Review by Siraj Syed: 300,000 stranded soldiers--Between certain death and uncertain rescue, a movie to cling on to It really happened. Give or take a few details, it really happened. Between 300,000 and 400,000 British troops were evacuated by British vessels from a beach in Dunkirk, France, in May 1940, amidst German submarine and aerial attacks. Dunkirk, the movie, is a visual roller-coaster on land, sea and air, where thrills are interwoven with chills, and dizzy heights blend wit...
Valerian and the City of a Thousand Planets, Review by Siraj Syed: Mind-boggling 2,734 VFX shots in 136 mins
French director Luc Besson has made the most expensive French/European film ever. It is also the most expensive independent film, at about $200 million. From initial responses, it looks like the film will fall far short of recovering its cost, and that will be a pity. Valerian and the City of a Thousand Planets adds a new, fresh feel to the sci-fi, interplanetary, inter-galactic, alien...
“Film is the most regulated medium in India”—Uday Singh, MD, Motion Picture Distributors’ Association
Copyright, intellectual property and piracy issues were discussed at the one-day conference on Copyright and the Creative Economy, organised by the Federation of Indian Chambers of Commerce and Industry (FICCI), in association with Department of Industrial Policy and Promotion (DIPP). Interactive sessions were held at the Sofitel Hotel, Mumbai, on 21st July, wherein th...
Fox Star India CEO Vijay Singh calls films a ‘recession proof’ industry: FICCI Conference on Copyright and the Creative Economy
A day-long conference was held on 21 July, Friday, on the subject of Copyright and the Creative Economy, at the Sofitel Hotel, Mumbai. It was organised by the Federation of Indian Chambers of Commerce and Industry (FICCI), a Delhi-based apex body, in association with Government of India’s Department of Industrial Policy and Promotion (DIPP).
Singh ...
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About Siraj Syed
 Syed Siraj
(Siraj Associates)
Siraj Syed is a film-critic since 1970 and a Former President of the Freelance Film Journalists' Combine of India.
He is the India Correspondent of FilmFestivals.com and a member of FIPRESCI, the international Federation of Film Critics, Munich, Germany
Siraj Syed has contributed over 1,015 articles on cinema, international film festivals, conventions, exhibitions, etc., most recently, at IFFI (Goa), MIFF (Mumbai), MFF/MAMI (Mumbai) and CommunicAsia (Singapore). He often edits film festival daily bulletins.
He is also an actor and a dubbing artiste. Further, he has been teaching media, acting and dubbing at over 30 institutes in India and Singapore, since 1984.
Bandra West, Mumbai India View my profileSend me a message
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