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Santa Barbara


Filmfestivals.com is covering live from Santa Barbara with pictures and videos.
 
SBIFF is a 501(c)(3) non-profit arts and education organization dedicated to making a positive impact utilizing the power of film. SBIFF is a year-round organization that is best known for its main film festival that takes place each year in February. Over the past 30 years the Santa Barbara International Film Festival has become one of the leading film festivals in the United States – attracting 90,000 attendees and offering 11days of 200+ films, tributes and symposiums. We bring the best of independent and international cinema to Santa Barbara, and we continue to expand our year-round operation to include a wide range of educational programming, fulfilling our mission to engage, enrich and inspire our community through film.

In June 2016, SBIFF entered a new era with the acquisition of the historic and beloved Riviera Theatre. The theatre is SBIFF’s new home and is the catalyst for our program expansion. This marks the first time that Santa Barbara has had a 24/7 community center focused on the art of film and is an incredible opportunity to expand our mission of educational outreach. Particularly important to SBIFF is making available high quality learning opportunities for underserved and vulnerable populations. Our programs and reach are more robust than ever before.


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VIDEO SBIFF 2022 - Animation Panel (Complete)

The newest panel at the festival: the Animation Panel. Attendees gathered for Charise Castro Smith – Co-Writer/Co-Director (ENCANTO), Charlotte De Le Gournerie – Producer (FLEE), Enrico Casarosa – Co-Writer/Director (LUCA) Mike Rianda – Co-Writer/Co-Director (THE MITCHELLS VS. THE MACHINES), Don Hall – Co-Director (RAYA AND THE LAST DRAGON) in conversation, led by SBIFF Executive Director Roger Durling.

 

 

 

 

Some highlights from the conversation included:

  • Mike Rianda on the styles shown in The Mitchell’s vs The Machine: “There’s both an organic and realistic style shown, and it was important that we intertwined the two together to make the story unique and relatable.”
  • Don Hall on the themes of trust and mistrust in Raya and the Last Dragon: “Raya’s story is rooted in guilt, grief and her loss of trust in people from the betrayal she experienced in her early life. It was important to carry this through the use of the cinematography by opening up to a variety of shots which included wide lenses and longer lenses to help guide the audience through this narrative.” 
  • Charlotte De La Gournerie on the subject matter in Flee: “It’s important that animation can go beyond just a story for children. It can achieve so much more in storytelling when the topic matter is as topical as the one told in this story.”
  • Charise Castro Smith on the importance of showing representation on screen in Encanto: “Despite Encanto being considered by many to be a “children's movie,” its effect and core message touches on universal themes. There is a greater impact on minority viewers, and marks a before and after in the way animated movies regard representation in their films.”
  • Enrico Casarosa on the visual inspiration for Luca: “It was important that the visual journey was captured through the various Italian influences and summers from the 50s and 60s.”

 

 

The newest panel at the festival: the Animation Panel. Attendees gathered for Charise Castro Smith – Co-Writer/Co-Director (ENCANTO), Charlotte De Le Gournerie – Producer (FLEE), Enrico Casarosa – Co-Writer/Director (LUCA) Mike Rianda – Co-Writer/Co-Director (THE MITCHELLS VS. THE MACHINES), Don Hall – Co-Director (RAYA AND THE LAST DRAGON) in conversation, led by SBIFF Executive Director Roger Durling.

 

Some highlights from the conversation included:

  • Mike Rianda on the styles shown in The Mitchell’s vs The Machine: “There’s both an organic and realistic style shown, and it was important that we intertwined the two together to make the story unique and relatable.”
  • Don Hall on the themes of trust and mistrust in Raya and the Last Dragon: “Raya’s story is rooted in guilt, grief and her loss of trust in people from the betrayal she experienced in her early life. It was important to carry this through the use of the cinematography by opening up to a variety of shots which included wide lenses and longer lenses to help guide the audience through this narrative.” 
  • Charlotte De La Gournerie on the subject matter in Flee: “It’s important that animation can go beyond just a story for children. It can achieve so much more in storytelling when the topic matter is as topical as the one told in this story.”
  • Charise Castro Smith on the importance of showing representation on screen in Encanto: “Despite Encanto being considered by many to be a “children's movie,” its effect and core message touches on universal themes. There is a greater impact on minority viewers, and marks a before and after in the way animated movies regard representation in their films.”
  • Enrico Casarosa on the visual inspiration for Luca: “It was important that the visual journey was captured through the various Italian influences and summers from the 50s and 60s.”

 

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About Santa Barbara


The Santa Barbara International Film Festival has star wattage and a wealth of premieres in a Mediterrean-style city by the sea.

Blogging here with dailies: 
The team of editors of the The Santa Barbara Blog:
Carol Marshall, Felicia Tomasko, Vanessa McMahon, Marla and Mark Hamperin, Kim Deisler and Bruno Chatelin


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