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Lalit Rao


Mr. Lalit Rao is a veteran film critic as well as a French technical translator and interpreter from Jaipur, India. He is currently writing a book on 25 best French films (1990-2015). Since April 2013, he is the member of the prestigious film critics’ organization FIPRESCI. Apart from ‘‘World Cinema’’, he is interested in chess, foreign languages, linguistics and philosophy. As a film critic, he regularly posts about cinema on social networks namely Facebook, Linkedin and Twitter. He is also the associate editor of the quarterly magazine ‘‘Cinematography Art’’ published from New Delhi, India.

Mr. Lalit Rao has reported extensively on French language, philosophy and film festivals especially ‘‘World Cinema’’ through more than 40 blogs and 8 video channels. In 2008, he launched Cinema-poet 2008, his first YouTube channel about ‘‘World Cinema’’. In 2013, Mr. Lalit Rao launched his second YouTube channel called ‘Indian talkies 1913’ (Videos about Indian Cinema) to promote Indian cinema. It is on these two channels that he regularly uploads videos related to ‘‘Indian Cinema’’ and ‘‘World Cinema’’.

https://www.youtube.com/@cinemapoet2008/videos

https://www.youtube.com/@indiantalkies1913/videos

One of India’s famous cinema journals ‘‘Deep Focus’’, and ‘‘Bangalore Film Society’’ were represented by him as their correspondent in Paris, France for 2005-2006. He also presented a paper on Canadian cinema entitled ‘‘A brief overview of Francophone cinema in Québec’’ during 20th International Conference on Canadian Studies, University of Rajasthan, Jaipur, 27-29 February, 2004. Apart from writing 1000 reviews on IMDB, it was in 1996 that Mr. Lalit Rao created ‘‘KINEMA’’, a database with information on 25,000 films from all over the world.

His articles in French and English have appeared in magazines and websites such as Deep Focus, Filmfestivals.com Blog, Kinoglaz, Objectif-Cinema, Sancho Does Asia and Séquences.

As a film critic, Mr. Lalit Rao has participated thrice in BBC polls to determine : a) 100 greatest foreign language films, b) 100 greatest films directed by women and c) 100 greatest comedies of all time. In April 2022, Mr. Lalit Rao was nominated as a jury member (short films) by Italian cinema and theater critic Ms.Paola Dei for 4th edition of Bulli Ed Eroi Concorsco Bellezza 2022 held in Sienna, Italy.  In March 2022, Mr. Lalit Rao participated in 13th Bangalore International Film Festival 2022 (3-10th March, 2022) as a member of the prestigious FIPRESCI jury. His assignment included watching 12 Asian films in order to give the award to the best film.

On 30/09/2021, Mr.Lalit Rao gave a message of congratulations to Iranian children on  the occasion of National Children’s Week held in Iran from October 8 to 14, 2021. In February 2017, he participated as a jury member (Kannada Cinema) during 9th Bangalore International Film Festival 2017.In 2014, he attended 19th International Film Festival of Kerala 2014 as a member of FIPRESCI jury (Malayalam Cinema).

Mr. Lalit Rao studied Master 2 at Université de Paris 3 Sorbonne Nouvelle, Paris where he worked on ‘Distribution of Indian cinema’ in France. As a film critic, Mr. Lalit Rao has attended numerous film festivals in France and India !!

 


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10 Quality Indian films based on works of literature © Mr. Lalit Rao (FIPRESCI) dated 29.02.2024

10 Quality Indian films based on works of literature © Mr. Lalit Rao (FIPRESCI) dated 29.02.2024

1) Abhaas (1997) directed by Bijaya Jena. This is an interesting ‘‘auteur’’ film by Ms. Bijaya Jena who has won India’s national award twice. It is based on a 3 pages long short story by famous Odia writer Rabi Das. This is a classic film that is set in 1951 and talks about deprivation, marginalization, sexual exploitation and neglect of a weak woman. It talks about the Zamindari system in which a landlord exercises complete control over a village. Apart from directing this film, Ms. Bijaya Jena also plays an important role in it. Abhaas was shown at La Rochelle Film Festival.

2) Tamas (1988) directed by Govind Nihalani. Tamas means ‘darkness’. It is based on the eponymous novel by acclaimed Hindi writer Bhisham Sahni. He was the younger brother of famous Hindi cinema actor Balraj Sahni. Tamas talks about the partition of India in 1947 when Hindus and Sikhs emigrated to India from Pakistan. Initially, Tamas was shown as a TV series. Later, it was shown as a 4 hours long feature film. Om Puri and Deepa Sahi play the lead roles in ‘‘Tamas’’. 

  

3) Angoor (1982) directed by Gulzar. In the realm of Hindi cinema, Gulzar occupies a special place as a famous lyricist and an occasional director. ‘Angoor’ (Grapes) is one of his most modest films. It is based on the famous play ‘‘The Comedy of Errors’’ by Shakespeare. The film was released in 1982 which was the perfect time for Indian auteur cinema. Sanjeev Kumar, Moushumi Chatterji and Deven Verma play the lead roles of this adorable film. Angoor is still remembered by cinephiles as not only it Indianised 'The Comedy of Errors' to a very large extent but also rendered ''family viewing'' possible.     

4) Kasba (1991) directed by Kumar Shahani. Kasba is based on the novella ‘‘In the Ravine’’ written by the acclaimed Russian writer Anton Chekov. It is based in a small town where corruption seems to have an effect on all its inhabitants. Shatrughan Sinha, an important star of Hindi cinema acts in this film along with actors from theater background. Director Kumar Shahani assisted the great French auteur Robert Bresson for ‘‘Une Femme Douce’’ in 1969. The pace of the film is both slow and melodramatic. However, Kasba is an unpretentious film.   

5) Train to Pakistan (1998) directed by Pamela Rooks. It is based on the novel of the same name written in 1956 by the famous writer Khushwant Singh. Train to Pakistan talks about the partition of India of 1947 through a love story involving a sikh man and a muslim girl. Train to Pakistan is relevant for its depiction of the complex nature of communal violence and its devstating consequences.The highlight of the film is the impact of partition on ordinary people who are caught in a complex web of politics, prejudice and violence.     

6) The Guide (1965) directed by Vijay Anand. Guide has been hailed as one of the classics of Hindi cinema. Even after close to 60 years of its release, ''The Guide'' continues to remain popular among the audiences who are madly in love with its songs. Hindi cinema's leading actors Dev Anand and Waheeda Rehman play the leading roles of a tourist guide and a dancer in this film that was written by the noted Indian writer RK Narayan. Guide was made in Hindi as well as in English. However, most viewers know it for its Hindi version as the English version is believed to have flopped on the box office. Guide was a bold film as in 1965 it dared to depict what could now be called ''a Live-in relationship''. In 2023, Guide ran to packed houses all over India when it was shown as part of the birth centenary event of Mr.Dev Anand.      

7) Shatranj Ke Khiladi (1977) directed by Satyajit Ray. It is based on the short story written by the greatest of all Hindi writers Munshi Premchand. It portrays the boring lives of two noblemen from Lucknow who are so obsessed with the game of Chess that they neglect their families and remain unconcerned to the monumental political changes that take place around them. In ''Shatranj Ke Khiladi'', there are fine performances by the ensemble cast of some of the finest actors of Indian cinema such as Sanjeev Kumar, Amjad Khan, Shabana Azmi, Saeed Jaffery and Farook Shaikh. It is an important film that shows how India looked life before 1857 when it was ruled by the British. The narration of this film was done in the voice of Bollywood superstar Amitabh Bachchan. 

    

8) Dweepa (2002) directed by Girish Kasaravalli. It is one of the most popular films directed by Kannada cinema auteur Girish Kasaravalli who has won national film awards on 14 occasions. Dweepa (Island) is about the sad plight of villagers who have no choice but to live quietly in the midst of hostile climatic conditions. This film is based on the novel written by the Kannada writer Na D'Souza. Dweepa is a film where the power of monsoon has been used in full force. Dweepa was produced by Ms. Soundarya a popular star of Kannada cinema.  

9) Anhe Ghore Ka Daan (2011) directed by Gurvinder Singh. As far as art cinema in India is concerned, Punjab doesn’t normally register a strong presence. However, this has changed with ‘‘Alms for a blind horse’’ directed by Gurvinder Singh. It is based on the Punjabi language novel written in 1976 by the writer Gurdial Singh. This film tells the story of untouchable Sikhs who live at the margins of society. Director Gurvinder Singh shows the plight and problems of farmers,landlords and rural working class. ''Anhe Ghore Ka Daan'' has been produced by French producer Catherine Dussart.  

10) Chomana Dudi (1975) directed by B.V. Karanth. The title of the film refers to the drum that the protagonist Chomana plays. It is based on the novel by famous Kannada writer Shivaram Karanth. Chomana Dudi is about the tough life of Chomana, an untouchable bonded laborer who tries hard to be able to till the land. The plight of the untouchable people and the influence of religion has been nicely depicted in this film. It was released in 1975 and won the Swarna Kamal, India’s national award for the best film.

 

 

 

 

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About Lalit Rao

RAO Lalit

Mr. Lalit Rao (member-FIPRESCI) writes for this website on a regular basis as a film critic publishing reviews on his profile

In February 2017, he participated as jury member during  9th Bangalore International Film Festival 2017.

In 2014, he attended 19th International Film Festival of Kerala 2014 as a member of film critics’ jury.

As a film critic, Mr.Lalit Rao has attended film festivals in India as well as France namely International Film Festival of India (IFFI), International Film Festival of Kerala (IFFK), Festival International de Films de Femmes de Créteil, Paris : Cinéma du Réel-Festival International de films documentaires, Est-ce ainsi que les hommes vivent? Saint-Denis, Rencontres Internationales du Cinéma de Patrimoine, Vincennes & Festival International des Cinémas d'Asie, Vesoul. 


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