Spring. Seeing Hong Kong again: Review by Siraj Syed How do you define a city? Or, rather, how do you re-define a city, after two years of a pandemic? Covid had varying casualties across the world,...

aNEk, Review: Many a dull moment Many, several or various are the one-word translations of the title. The reference is to the various cultural and ethnic identities that inhabit India. This is...

Haemolymph-The Invisible Blood, Review: Mumbai Police’s worst kept secret Some real-life stories have been turned into good films, some have not. Haemolymph belongs to the latter category. Had we...

Adrushya, Review: Invisible man meets blind twins In the last two decades, Marathi films have thrown-up some real gems. They have also not fought shy of experimenting with both form and content. We...

Dhaakad, Review: Kan-gana Ran-aut-do Charlize Theron? Whenever director Razneesh ‘Razy’ Ghai shouted action on the sets of this film, he must have meant either of two things: A. Kangana Ranaut,...