Jagran Film Festival awakens us to some great cinema Back after a three-year hiatus, prompted by the Coronavirus Covid 19, Jagran Film Festival (JFF) stuck to its base in Mumbai, the Cinépolis...

Vardi Ke Veer: Worthy of singing praise A press conference in the Padma Ranga Chamber Music Hall of the Sri Shanmukhananda Fine Arts and Sangeetha Sabha? Why would anybody hold it there? But if you...

Marjavaan, Review: Monica, harmonica, loyalty, penalty, cute, mute, swords, words Umpteenth reworking of the Godfather theme, albeit with a couple of new angles, Marjaavaan is definitely not a film...

P se Pyaar F se Farraar, Review: On a killing Alarming statistics at the end of the film reveal that killing of young men and women who elope or marry into other castes or religions increased by...

Diorama screens 104 films; DIFF Film Bazaar conducts $3 million business The first Diorama International Film Festival (DIFF) concluded on the 20th of January, 2019, with a glittering function held...

Aamir, Nasir, Tahir, Tariq, Mansoor, Amjad: Movies, Masti, Modernity, Flashback 7 To remind you, Aamir is indeed Aamir Khan, Amjad is definitely Gabbar Singh, and the triple M above is to...

Siraj Syed reviews Kaagaz Ki Kashti: Paper-boat ride across oceans of melody         When you are making a biopic, you first need to narrow down on either a famous person, or a commoner who has led...

Kis Kisko Pyaar Karoon, Review: Odd Kapils                                                                                        What is Kis Kisko Pyaar Karoon (KKPK)? A remake of the Kannada film...

Directors’ Diaries, by Rakesh Anand Bakshi, Book Review: A dozen journeys, a dozen destinations Aspiring director and son of India’s renowned film-lyricist, late Anand Bakhshi, Rakesh Bakshi has...