Vikram Vedha, Review: Gang gang, bang bang There are only a handful of characters in Vikram Vedha who do not wield guns, swords or any ‘weapon’ they can lay their hands on. Almost all of them die....

Dhaakad, Review: Kan-gana Ran-aut-do Charlize Theron? Whenever director Razneesh ‘Razy’ Ghai shouted action on the sets of this film, he must have meant either of two things: A. Kangana Ranaut,...

With its lead players putting up pretences throughout the film, it is easy to label the film pretentious. To be fair, it is not pretentious. There is an element of sincerity in the making. My...

Ujda Chaman, Review: Hair loss, weight gain Barren follicles and overflowing lipids can, and often do, cause the corps to be subjected to taunts and ridicule for extended periods of time, maybe all...

Nakkash/The Craftsman, Review: Balancing Dharma with Karma Carving is a fine art that is dying, like many other man-made enterprises, what with mechanisation and changing tastes. One can see many...

Mitron, Review: Food-truck’s mixed menu, part tasty, part insipid Meaning ‘friends’, mitron is among the most favourite opening words when the current prime minister of India addresses an audience....

Phullu, Review by Siraj Syed: Misleading title, taboo subject, tenacious treatment This is a good example of a film named after its lead character, with no regard for audiences’ perception of what...