Mark Antony, Review: Mark and Tony and Telephony Inspired by the works of Shakespeare’s prodigal cousin, Shake Speer, this assault on your senses is a tribute to the Emperors Brutius and Scissor...

Laal Singh Chaddha, Review: A run for your money, in branded underwear It’s been fifteen years after Aamir Khan acted in and directed Taare Zameen Par, about a dyslexic child, and 28 years after Tom...

Radhe Shyam, Review: Goodness gracious, how flirtatious! At its core, Radhe Shyam rakes-up an interesting debate, between destiny and those exceptions who surmount their pre-ordained destiny, and,...

IFFI 52, 039: “We are just here to make honest cinema,”—Ganesh Hegde To be or not to be. The very same existential question that vexed Hamlet in Shakespeare’s timeless eponymous play is what...

Prassthanam, Review: Loyalty, integrity and legacy, to see or not to see, that is the question When you have classics like the Mahabharat, Ramayan and Shakespeare’s works, why look elsewhere for...

Scary Stories to Tell in the Dark, Review: The spirit of Sarah Bellows, and the trauma of teenage fellows Though the voice-over insists that stories hurt and stories heal, and that if they are...

Daas Dev, Review: Devspeare Talking about the response generated by Hazaaron Khwahishen Aisi at the International Film Festival of India, Goa, director Sudhir Mishra had told me that all praise was...

Mirza Juuliet, Review by Siraj Syed: ‘Sex peer’ or Shakespeare Six timeless tales of doomed love continue to enjoy tremendous popularity in India, even in the 21st century: Laila-Majnu,...

Siraj Syed reviews Beauty and the Beast: A veritable feast Beauty and the Beast is a treat for young and old alike, with generous doses of humour and an enchanting musical score to go with it. It is...

Siraj Syed reviews Resident Evil 6-The Final Chapter: Horror is terrific business There has to be something about it. It’s the first film franchise of the horror genre to cross a billion dollars,...