Mark Antony, Review: Mark and Tony and Telephony Inspired by the works of Shakespeare’s prodigal cousin, Shake Speer, this assault on your senses is a tribute to the Emperors Brutius and Scissor (real names Mark and Antony). Some 40 years ago, a TV series was made in Mumbai called Indradhanush. It was the first sci-fi, time-travel serial, where a remote control has the power to transport the bearer to a time centuries ago. I should know. I played the Mafia Don villain, who uses this rem...

Laal Singh Chaddha, Review: A run for your money, in branded underwear It’s been fifteen years after Aamir Khan acted in and directed Taare Zameen Par, about a dyslexic child, and 28 years after Tom Hanks captivated our hearts as Forrest Gump, who had an IQ of 75 and needed braces to correct what was believed to be a curved spine. In 2022, here comes a film that is the official remake of Forrest Gump. It could be among the warmest, heart-tugging tales you’ve heard being told, or i...

Radhe Shyam, Review: Goodness gracious, how flirtatious! At its core, Radhe Shyam rakes-up an interesting debate, between destiny and those exceptions who surmount their pre-ordained destiny, and, in some cases, defy it. For destiny, read ‘predictions based on palmistry’. And yet, it tilts the balance strongly in favour of destiny, putting forth emphatically the theory that 99% of us cannot escape what has been written on our palms. Had this been the track that the screenplay deve...

IFFI 52, 039: “We are just here to make honest cinema,”—Ganesh Hegde To be or not to be. The very same existential question that vexed Hamlet in Shakespeare’s timeless eponymous play is what troubles 10-year-old boy Sidda, albeit in a somewhat different avatar. Having been forced to bid adieu to the pristine beauty and serenity of his village, the young boy is confronted with the inevitability of having to choose between the chaotic and alienating hustle of the city, t...

Prassthanam, Review: Loyalty, integrity and legacy, to see or not to see, that is the question When you have classics like the Mahabharat, Ramayan and Shakespeare’s works, why look elsewhere for inspiration? Update the setting and references but retain the blood and gore, conceit and deceit, loyalty and betrayal, vice and avarice, and above all, good and evil. You now have a story that every lover of mythology, every cinephile identifies with, and the figure could be well above a billio...

Scary Stories to Tell in the Dark, Review: The spirit of Sarah Bellows, and the trauma of teenage fellows Though the voice-over insists that stories hurt and stories heal, and that if they are repeated very often, they become true, any amount of repetition will not succeed in making Scary Stories to Tell in the Dark seem anything like real. Hurt, it does, heal, I wonder! It’s a horror story, pure and simple, or, rather, neither very pure nor very simple. A 70 year-old mansion has its se...

Daas Dev, Review: Devspeare Talking about the response generated by Hazaaron Khwahishen Aisi at the International Film Festival of India, Goa, director Sudhir Mishra had told me that all praise was welcome, but he felt a great sense of fulfillment when internationally acclaimed directors had appreciated his efforts. Hazaaron Khwahishen Aisi was liked by a lot of critics as well as a significant number of cineastes. For Sudhir’s sake, I hope that those he holds in esteem see merit in Daa...

Mirza Juuliet, Review by Siraj Syed: ‘Sex peer’ or Shakespeare Six timeless tales of doomed love continue to enjoy tremendous popularity in India, even in the 21st century: Laila-Majnu, Shirin-Farhad, Sohni-Mahiwal, Heer-Ranjha, Mirza-Sahibaa and Romeo and Juliet. Of these, five are Indian or from the sub-continent and only Shakespeare’s R&J makes it from the foreign category. India had its own Shakespeare, named Agha Hashr Kashmiri, who in the period 1920s-50s, transla...

Siraj Syed reviews Beauty and the Beast: A veritable feast Beauty and the Beast is a treat for young and old alike, with generous doses of humour and an enchanting musical score to go with it. It is not often that you see a kettle, a tea-cup and saucer, a dressing stool, a wardrobe, a piano, an antique clock, a floating, curvaceous  plumage and a candelabra (no, that’s definitely not a typo)  share screen space with the titular duo, that happen to be Beauty and Beast in this c...

Siraj Syed reviews Resident Evil 6-The Final Chapter: Horror is terrific business There has to be something about it. It’s the first film franchise of the horror genre to cross a billion dollars, since its genesis 15 years ago. If you are from the gaming generation of the new millennium, you are probably aware that it all began as a game, and the eponymous first edition in the series was released in 1996, as a survival horror video game, but the franchise has since grown to encompass ot...

Filming Shakespeare is an annual film festival that Misfit produces in partnership with the Shakespeare Birthplace Trust. The King of Shakespeare himself, Sir Kenneth Branagh, is the patron of this film festival which is now in its second year. If you’re a filmmaker and you are making, or have made, a short film that in some way relates to William Shakespeare and his works or his life, please submit through the form over at Filming Shakespeare before August 1...