All the Money in the World, Review: Ear today, gone tomorrow Cinquanta to Gail: “Who is this so-called grandfather? How can he leave his own flesh and blood in the plight that your poor son is in?...

Alien: Covenant, Review by Siraj Syed: Paradise morphed Five years after Prometheus, this film is the second instalment in the Alien prequel series, and the sixth one in the Alien film series, as...

Siraj Syed conducts the first ever interview of writer-director Hank Orion (Despair, 2017) Hank Orion migrated to Italy from Ukraine with his mother, at the age of 9. He had been showing interest in...

Siraj Syed’s IFFI 2016 diary, XI: Virtual Reality: Think in 360 Clyde DeSouza found an elderly couple dancing in a Goa bar-restaurant. He captured the image and added perspective, giving it a 360⁰...

Parched, Review by Siraj Syed: Rani & Lajjo & Bijli & Thelma & Louise’s Rihaee Get this right. Parched is not a remake. It is a nod to the soul of the 1988 film, Rihaee (Liberation, directed by...

Exodus-Gods and Kings, Review: Wrath and bloodbath Exodus is the name of a long novel by Leon Uris, published in 1958, about the establishing of the modern state of Israel, and set in 1947, but...

New project from Ester Brym's factory is Czech music documentary called Netoč Nás, Natoč Sebe (Film Yourself, Not Us) featuring the band Chinaski and its fans. Each day during their 2011 World...

I am collaborating on a film that is inspired by Ridley Scott's Life In A Day. If you like to submit footage for the film, just film yourself the day you attend Chinaski concert and upload the...

Robin Hood, the epic blockbuster by British director Ridley Scott, starring Russell Crowe and Cate Blanchett (and Max Von Sydow, Lea Seydoux, William Hurt), is to be screened at the Opening of the...