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Mahesh Bhatt
Parveen Babi, A Life--by Karishma Upadhyay: Break-ups and break-downs
Appearing out of nowhere, Parveen Babi made her screen debut with the film Charitra, acting opposite cricketer Salim Durani, in 1973. That was not the first film she had signed, which credit goes to Dhuen Ki Lakeer, released the following year. Her career really took off with Majboor (1974, co-starring Amitabh Bachchan) and she was seen in some 58 films totally, the last one releasing in 1991, years after she had given up a...
RIFF 08, 2022, 03: Lyricist Sayeed Qadri to be honoured with Hasrat Jaipuri Award
The 8th edition of the Rajasthan International Film Festival (RIFF) will be organised by RIFF Film Club from 25 to 30 March, 2022. It will also celebrate Rajasthan Diwas, the Founding Day of Rajasthan state, which falls on 30 March. Somendra Harsh, Founder and Festival Director stated, "This year, writer and lyricist Sayeed Qadri will be awarded the Hasrat Jaipuri Award for his Contribution in Cinema. The a...
Helicopter Eela, Review: No copter, too much of Eela
An intriguing title, the film has nothing to do with helicopters. It is the story of a domineering and stubborn mother who has a fixation about her only son’s welfare and whereabouts. Trouble is he is twentyish and the last thing he needs or likes is being mothered all the time. Designed to showcase the talent of actress Kajol, and co-produced by hubby, actor Ajay Devgn, Helicopter Eela begins on a bright note and then peters down to ...
Siraj Syed reviews Kaagaz Ki Kashti: Paper-boat ride across oceans of melody
When you are making a biopic, you first need to narrow down on either a famous person, or a commoner who has led an uncommon and highly captivating life. Jagjit Singh was an extremely popular singer, with dozens of albums and hundreds of songs to his credit. Next, it always helps if the person is alive, or has passed away not too long ago, because material used in the ...
Raaz Reboot: Exorcise in futility
When the best things in a horror/supernatural film are its songs, it does not augur well. A few days before the release of Raaz Reboot (they use that in the title? I thought ‘reboot’ was a word copyrighted to journalists and IT whiz kids!) the Bhatt threesome—brothers Mahesh and Mukesh and protege Vikram—announced that Raaz 4 (now, that sounds better) would be the last instalment in the series. Foresight for sure. Raaz (Hindi/Urdu for ...
Directors’ Diaries, by Rakesh Anand Bakshi, Book Review: A dozen journeys, a dozen destinations
Aspiring director and son of India’s renowned film-lyricist, late Anand Bakhshi, Rakesh Bakshi has been aspiring to make his first film for a real long time. In the meanwhile, he has been writing, cycling and doing his bit for the under-privileged of local society. So far, the trail to his big break has proven to be elusive. How elusive? How frustrating? As frustrating as that some of h...
Sulemani Keeda, Review: NOde to Fellini, Tarkovsky and out-of-the box thinking
With the title meaning a ‘giant bug up the backside’, and the tag line saying a ‘bromantic comedy’, you more or less know what the genre of Sulemani Keeda will be. Writer-director Amit Masurkar moves away from the brooding tragedy of Kaagaz Ke Phool, the star-fixation of Guddi and the misadventures of an aspiring actor, as in Chala Murari Hero Banne, to concoct a modern-day ballad of two asp...
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