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japanese film
Director: Kazuyuki Akashi.
“My family fell apart long ago…” Kumi, 18, hit her father and no longer goes to school. She spends her days on a riverbank, which is also the favorite place of 28-year-old hostess Ryo, who owes money to Kumi’s father, Daikou. Even though Kumi considers Ryo, her father’s mistress, to be a sworn enemy, she begins to feel something of a connection with her and so comes to the riverbank to see her. Ryo hates Daikou for suddenly demanding she give back all the money he had given her, but despite this she too begins to feel a connection to Kumi, in whom she sees something of her own past. One day, Kumi meets Riyu, 17, a victim of online bullying. Unlike Kumi, Riyu continues to go to school despite a falling out with her ex-best friend, Saki. Kumi’s indifference proves strangely enticing to Riyu. Kumi and her mother, Kasumi, 40, stopped communicating with each other a long time ago. Kumi is cold to her mother, whose mental state gradually deteriorates, but at the same time does not know how to express herself. Daikou struggles with an impending lawsuit against him. Kasumi tries to revive her family by behaving as if everything was normal. Saki wishes she could make up with Riyu. All of their thoughts intertwine. For Kumi time has stopped since she hit her father. Riyu suffers as she tries to graduate high school. Ryo projects her own past onto Kumi’s present. Will they manage to get their lives back on track?
Terracotta Far East Film Festival showing a crazy Japanese Zombie film at the Prince Charles Cinema as a one-off on Friday 6th May at 22.50, which is part of our 3rd edition of Terracotta Festival, HELLDRIVER (HELL DRIVER, Nihon Bundan: Heru Doraibaa, 2010) is the latest movie from cult-favourite splatter film director Yoshihiro Nishimura with Eihi Shiina (Miike’s Audition) Hoping that you could help us spread the word among zombie and horror film-goers through your website or newsletter,...
TERRACOTTA FESTIVAL proudly present a selection of the best films coming from Asia featuring different styles Martial arts and a mix of legend actors and real life champions. 5th – 8th May 2011, Prince Charles Cinema, London. LOST BLADESMAN – is Hong Kong biographical martial arts film directed by Alan Mak and Felix Chong, based on the life story of legendary General Guan Yu, historical figure of Three Kingdoms period, symbol of brotherhood and loyalty, worshiped by triads and poli...
Running from Thursday 5th to Sunday 8th May 2011, this year’s 14 films selected to represent the best in current Asian Cinema:
Opening Film: The Lost Bladesman (UK Premiere) – dir. Alan Mak and Felix Chong (co-writers, Infernal Affairs), China. Donnie Yen (Ip Man) as the legendary historical Three Kingdoms figure, Guan Yu.
Hotel Black Cat (European Premiere) – dir. Herb Hsu (debut), Taiwan. Past traumas still linger with the eclectic residents at Hotel Black Cat. ...
Premiere Asian movie festival in the UK, the Terracotta Far East Film Festival is back in London to present its third roundup of choice hand-picked films from the Far East.
Running from Thursday 5th to Sunday 8th May 2011, this year’s 14 films selected to represent the best in current Asian Cinema at the Prince Charles Cinema, London, UK
Miyake's film is exactly what it says on the tagline - "Something that is once lost but is found again."The characters in this film bump into each other by losing and finding things around a nameless train station. It is film dependent on causality and it is a rather affecting film. You begin to reflect on what you lost and what you have found. Ultimately, it is all about life. Life is all about losing and finding, being at a place and time, somewhere. And those are the best films - th...
ZERO FOCUS © 2009 DENTSU / TOHO / TV ASAHI CORPORATION / KINOSHITA CO., LTD. / The Asahi Shimbun / NIPPON SHUPPAN HANBAI / Yahoo Japan / TOKYO FM Broadcasting / Asahi Broadcasting / AGOYA BROADCASTING NETWORK / IMJ Entertainment / TSUTAYA Group / FLaMme / Kyushu Asahi Broadcasting / Hokkaido Television Broadcasting / HOKURIKU ASAHI BROADCASTING / Hiroshima Home Television / ehime asahi television All Rights Reserved. Offering you the roughest, the sharpest... and the smoothest of today’s cutting-edge film scene! JAPAN CUTS returns with the only large-scale Japanese film festival in North America, offering U.S. and NY premieres of the latest and best in Japanese cinema. In its fourth consecutive year, the summer festival will screen over 20 titles (the most ever!), including co-presentations with the New York Asian Film Festival (July 1-4) and a special selection of films from the last decade (Best of Unreleased Naughties!) which have not been treated to U.S. release. Full Schedule PDF
March 31 - April 18
At the opposite end of the stereotype of docile Japanese women—heroic good mothers, chaste daughters and hardworking faithful wives—actresses Ayako Wakao, Mariko Okada and Meiko Kaji embodied the transgression of limits, breaking rules, flouting norms and generally upsetting everyone.
This series explores the idea of unconventional beauty that these spellbinding actresses created through an unparalleled body of films. Both Wakao and Okada were muses and inspiration for two major film directors, Yasuzo Masumura and Kiju (Yoshishige) Yoshida, respectively, while Kaji navigated between filmmakers, a wild card of Japanese cinema at the time. Put together, their films delineate what one could call an aesthetic of “convulsive beauty” (André Breton).
Featuring a line-up of 13 films of many different genre, from anti-melodrama to jidaigeki, girl gang movies to women in prison films, with entries from Kiju Yoshida, Yasuzo Masumura and Toshiya Fujita. Don't miss the DRESSED TO KILL party following the opening screening of "Tattoo," Wednesday, March 31, 2010 at 7:30 PM.
Visit http://www.japansociety.org/content.cfm/mad_bad__dangerous_to_know for full line-up and schedule.
Buy Tickets Online or please call the Japan Society Box Office at (212) 715-1258, Mon. - Fri. 11 am - 6 pm, Weekends 11 am - 5 pm.
December 2009 - May 2010
With the centennial of director Akira Kurosawa’s birth coming up, 2010 will certainly be the year of sword fighting films (chambara)! While Kurosawa will always remain the "Emperor", two actors dominated postwar Japanese genre cinema: Daiei Studios’ cult stars Shintaro Katsu (1931-1997) and Raizo Ichikawa (1931-1969).
Two actors, two styles, apparently poles apart yet actually complementary: earthy Katsu was the affable anti-idol rogue, unpredictable on- and off-screen, while ethereal, coolly enigmatic Ichikawa was considered the “James Dean of Japan”. Beyond their differences, both stars instilled in their roles a poisonous poetry and existential angst that lifted their art into genre-transcending territory. Curated by Chris D., genre film expert and author of Outlaw Masters of Japanese Film.
Two of the most versatile, underrated and comparatively unknown movie performers post-WWII were not from America or Europe, but from Japan. Shintaro Katsu and Raizo Ichikawa defined their generation as surely as actors like Robert Mitchum, Montgomery Clift, James Dean and Clint Eastwood defined theirs. And like Mitchum and Eastwood they were equally at home in rugged action roles as in heavy drama and light comedy. Katsu’s blind swordman Zatoichi and Ichikawa’s misanthropic halfbreed samurai Kyoshiro Nemuri stand out as unforgettable, iconic characters on the panoramic screen of 20th century world cinema. – Chris D.
Join us for this retrospective honoring two Japanese film legends.
On any poll where the greatest directors who ever lived is compiled, the name of Japansese director Akira Kurosawa is certain to show up in the top three slots. More loved outside of his homeland (as are many film artists) and acknowledged by film scholars as a true visual artist, the oeuvre of this cinematic giant is the focus of a 4-week festival to be held at the Film Forum, New York's great arthouse treasure.
The 28-film festival celebrating the centennial of director Akira...
Director: Roger Walch.
David (Ted Taylor) comes to Japan for one week to study traditional legends. He is supposed to meet Professor Ozawa, a leading expert in the field. But when he arrives, he gets picked up by Ozawa's two female assistants, Sanae (Mimori Sento) and Manami (Sakiko Ikegami). They bring him to a traditional guest-house and accompany him during his stay.
A strange man in the bath house (Kan Mikami) tells David about the local Tengu legend. Tengu are a class of well known monster-spirits with a long nose and a red face who live in the Japanese forests and mountains. David is immediately fascinated. But the more he finds out about the Tengu, the more he is drawn into his own past-life.
As a matter of fact some Tengu legends can be connected to shipwrecked foreigners who were forced to live in hiding in the Japanese mountains during Japan's Sakoku (closed country) era (1637 - 1853). Ultimately, "Tengu" is the story of a Westerner who becomes the origin of a famous Japanese legend.
ACADEMY-AWARD WINNER For BEST FOREIGN FILM 2009
It was full house yesterday at the 1200-seater Teatro Giovanni Theatre in Udine for the European premiere of DEPARTURES.
After an introduction on duplex from Japan by Yojiro TAKITA, the Director, who called attention to the producer Yasuhiro MASE, seated in the theatre,
who would report to him following the screening, the audience was drawn into the s...
Dedicated to promoting cross-cultural understanding among the peoples of Asia, North America and the Pacific Rim, HIFF is the premiere international film event in the Pacific, screening more than 200 films on 10+ screens in the Hawaiian Islands.
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