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Everything Everywhere All at Once, Review: Good, bad and worse, All at Once

Everything Everywhere All at Once, Review: Good, bad and worse, All at Once Trying to define Everything Everywhere All at Once is like trying to define a feature film itself. A narrative. A beginning middle and an end, an assembly of actors, some known some unknown, some from one country, others from other countries, playing roles or characters, an entity shot by a camera, consisting of motion and still pictures, mainly motion pictures. Of 70 minutes+ duration. Can currently be viewed on cine...

Parallel Mothers, Review: Swapped babies and a Spanish history lesson from the Master

Parallel Mothers, Review: Swapped babies and a Spanish history lesson from the Master Expectations suddenly rise when the name Pedro Almodóvar is mentioned. One regrets having missed the screening at IFFI, November 2021, but then Impact Films, Mumbai, of Ashwani Sharma, acquires distribution rights of Parallel Mothers, for India, and holds a press screening at Soho, in Juhu, Bombay, a small but exotic theatre, fixes its release on 11 March 2022, and invites you to catch-up on what you ...

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