It's been nearly five years since Todd Solondz, one of American independent cinema's most respected (and controversial) auteurs, has been seen at a film festival. His last film PALINDROMES (2004) premiered at the Venice Film Festival but was roundly hissed by most film critics and its subsequent release was very anemic. After his earlier successes, including his debut WELCOME TO THE DOLLHOUSE (1995), the heartfelt and uncomfortably intimate HAPPINESS (1998) and the less well receive...

It's been nearly five years since Todd Solondz, one of American independent cinema's most respected (and controversial) auteurs, has been seen at a film festival. His last film PALINDROMES (2004) premiered at the Venice Film Festival but was roundly hissed by most film critics and its subsequent release was very anemic. After his earlier successes, including his debut WELCOME TO THE DOLLHOUSE (1995), the heartfelt and uncomfortably intimate HAPPINESS (1998) and the less well received STORYTELLIN...

  by Sandy Mandelberger, Festival Dailies Editor It's been nearly five years since Todd Solondz, one of American independent cinema's most respected (and controversial) auteurs, has been seen at a film festival. His last film PALINDROMES (2004) premiered at the Venice Film Festival but was roundly hissed by most film critics and its subsequent release was very anemic. After his earlier successes, including his debut WELCOME TO THE DOLLHOUSE (1995), the heartfelt and uncomf...

The PALINDROMES Interview by Craig ParishSolondzian Cruelty: No Such ThingLike a Palindrome the world turns in on itself, unchanged and unchanging. Director Todd Solondz still lives alone in the same place he did 10 years before WELCOME TO THE DOLLHOUSE stormed Sundance in 1995.“Free will is an illusion but limitations are liberating” - TSBorn in 1959 in Newark, NJ, Solondz studied at NYU Film School and made severalshort films, one of which turned studio heads at 20th Century Fox. The upsi...