The International Film Festival of the Art of Cinematography PLUS CAMERIMAGE will recognize an esteemed group of cinematographers, directors and actors at this year's festival which takes place November 26th - December 3rd at its new home in Bydgoszcz, Poland.
With yet another robust list of honorees, PLUS CAMERIMAGE upholds its proud and unique position as the most recognized festival dedicated to the art of cinematography, and in recent years, expanded its breadth of h...
The Panorama section is the non-competitive sidebar of the Berlinale that has a reputation among Festival veterans as the most ambitious and exploratory program in the Festival. The section has introduced many of world cinema’s most illustrious talents. Showcasing more than 50 films, most making their international premieres, the Panorama opened on Friday with Canadian director Bruce McDonald’s THE TRACEY FRAGMENTS, a visually inventive exploration of a fifteen-year-old girl’s fragmented e...
Sunday, February 11----The Panorama section is the non-competitive sidebar of the Berlinale that has a reputation among Festival veterans as the most ambitious and exploratory program in the Festival. The section has introduced many of world cinema’s most illustrious talents. Showcasing more than 50 films, most making their international premieres, the Panorama opened on Friday with Canadian director Bruce McDonald’s THE TRACEY FRAGMENTS, a visually inventive exploration of a fifteen-year-...
Saturday, January 20----It is pretty much di rigeur that if one has one's film at the Sundance Film Festival, one moves hell and high water to make it here for the premiere. A rare exception to this rule is the case of the film WAITRESS, written, directed and co-starring Adrienne Shelly, a beloved indie actress who made her first impressions in the early films of auteur Hal Hartley (whose FAY GRIM is premiering here as well). Ms. Shelly, sadly, will not make an appearance in Park City this wee...
Thursday, January 11-----One of the highlights of the upcoming Sundance Film Festival (at least for me) is the opportunity to see the latest film from Hal Hartley, who really put independent film on the map back in the day when it was still a small community of individual risktakers. With such films as THE UNBELIEVABLE TRUTH (1989), TRUST (1990), SIMPLE MEN (1992) and AMATEUR (1992), Hartley stood at the nexus of European film artistry and American independent virtuosity. His last few films h...
