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Film noir
Thursday, September 11--------For those of us whose memories of the events of 9-11 coincided with the Toronto International Film Festival, there are moments that forever link those great metropolitan cities. I was indeed in Toronto for my final days of the Festival in 2001.I can remember the exact moment when I first heard about a plane crashing into one of the towers of the World Trade Center. I was in a taxicab with my colleague Malo Girod de l'Ain (whose company M21 Editions hosts both this ...
Friday, May 23-----If you are a lover of film (guilty) and also a lover of jazz (guilty again), then you are destined for movie and musical heaven at the on-going film series Jazz Score at the Museum of Modern Art. Starting last month, this unique retrospective will showcase 50 feature films and a selection of shorts that meld the power of jazz and the moving image.The series celebrates well-known and obscure jazz scores composed for films from the 1950s to the present, with a particular emph...
Friday, April 4-----Jules Dassin, an American director, screenwriter and actor who found success making movies in Europe after he was blacklisted in the United States because of his ties to the Communist Party, died Monday in Athens, where he had lived since the 1970s. He was 96. Mr. Dassin is most widely remembered for films he made after he fled Hollywood in the 1950s, including NEVER ON SUNDAY (1960) with the Greek actress Melina Mercouri, whom he later married; TOPKAPI (1964), with Ms. Merco...
Jules Dassin, an American director, screenwriter and actor who found success making movies in Europe after he was blacklisted in the United States because of his ties to the Communist Party, died Monday in Athens, where he had lived since the 1970s. He was 96. Mr. Dassin is most widely remembered for films he made after he fled Hollywood in the 1950s, including NEVER ON SUNDAY (1960) with the Greek actress Melina Mercouri, whom he later married; TOPKAPI (1964), with Ms. Mercouri, Peter Ustinov a...
Thursday, March 27--------No one quite mastered the sneer as did actor Richard Widmark, who died Monday at his home in Roxbury, Connecticut at the age of 93. That sneer and a high-pitched giggling laugh is what shot him the stardom in 1947, when he played the psychopathic killer Tommy Udo in the gangster film KISS OF DEATH. Nothing in the movies before or since can compare with the scene in that film when Widmark tied up an old woman in a wheelchair with a cord ripped from a lamp and shoved he...
What were your fears as you set about making a film of a supposedly ‘unfilmable' book? "The biggest thing was that it was a sacred text. And with Gabriel Garcia Marquez there are people who cannot possibly have known him who call him by his diminutive Christian name - he's known as ‘Gabo' - so there's a kind of possessiveness which is very daunting. Beyond that this is a great, great book. I can be as snippy as I like about people thinking that they own it because I think I...
Wednesday, September 26---------Fritz Lang is perhaps best known for his pioneering work in the silent cinema of German Expressionism, with such films as DR. MABUSE and METROPOLIS often appearing on the Top Ten list of greatest films ever made. However, when he was forced to flee Nazi Germany because of his libertarian politics, Lang had a long, if bumpy, career in Hollywood, mostly making genre "b pictures". These films were regarded as the equivalent of "pulp fiction".......
Friday, August 25------There are still a few days to catch the final offerings in the NYC NOIR series that has been running at the Film Forum for the past few weeks. Dedicated to a depiction of New York as a place of grit, grays and ghosts, the series offers a tidy endgame of treats, a mix of classics and little known gems. With temperatures expected to hit the 90s in the final dog days of August, New York never looked quite so noir. But at least this NYC is air conditioned.REAR WINDOW (1954...
NOIR BY NORTHWEST, SEATTLE FILM NOIR WEEK"NOIR CITY SEATTLE" OPENS WITH TWIN BILL OF RARITIES by Alex Deleon, for <www.filmfestivals.com> Tuesday, July 9, 2007 The traveling all-Film-Noir festival known as "Noir City", introduced personally by the San Francisco based "Czar of Noir", Eddie Muller, opened here at the SIFF theater in the Space Needle dominated Seattle Center on Friday, July 6, with a pair of seldom seen and hard-to-find dark films of the late for...
To start at the end, the final film of the now fabulous "Noir City" festival in Seattle, closing out a solid week of non-stop black-hearted delight, was "Wicked Woman" (1953) -- arguably, the purest 'noir' ever made. This was billed along with Fritz Lang's far more famous and far more arty "Scarlet Street" (1945), and the contrast between these two striking studies in wickedness is almost as striking as the films themselves. To start with, Lang was a very European "art director" and "Scarlet S...
Monday, July 23-------You may think you know the film that many major film critics chose as the best of last year. But in reality, with little fanfare or certainly Oscar buzz, the film that garnered the most uniform praise from top film scribes was a French thriller, shot in 1959 and set in occupied France during World War II by a director who has been six feet under for more than three decades. That film, ARMY OF SHADOWS, directed by Jean-Pierre Melville, was an astonishingly gritty and involvi...
"NOIR CITY SEATTLE" OPENS WITH RARITIES FROM THE DARK SIDE OF HOLLYWOOD by Alex DeleonThe traveling all-Film-Noir festival known as "Noir City", introduced personally by the San Francisco based "Czar of Noir", Eddie Muller, opened here at the SIFF theater in the Space Needle dominated Seattle Center on Friday, July 6, with a pair of seldom seen and hard-to-find dark films of the late forties, "Thieves' Highway" (FOX, 1949, 94 minutes) and "Deadline at Dawn" (RKO, 1946, 77 minutes). Both films w...
Documentary features are beginning to come into their own, not only on the festival circuit but in selected commercial cinemas as well, as more and more perceptive moviegoers, tired of paying ten dollars a shot for mainstream mindlessness, are beginning to look for films that actually have something to say. Michael Moore's "Fahrenheit 9/11" was a real ground-breaker when it was awarded the top prize at Cannes two years ago, the first time a documentary film was so recognized at this topper of al...
Saturday, June 2--------It seems inconcievable to me that the current generation of filmgoers (and possibly even most of the filmmakers) do not know who Billy Wilder was. Or is, for his style of filmmaking remains remarkably fresh and current. For myself, Wilder is one of the giants, who combined the pace of Hollywood filmmaking with the sophistication of his European roots. His movies remain decidedly adult and deal with human emotions that are still very much in style. For local audiences who ...
The third and final conference on the future of cinema was held this morning at Baron Beach across from the Carlton Hotel, and it proved to be another success for FilmFestivals.com and CFC Media Lab, the companies that together put on the three panels.This panel on the future of online marketing for films was especially interesting, since we are currently at a time when online marketing is exploding and no one really knows how to handle it. The panelists included: Malo Girod de L'Ain, founde...
The third and final conference on the future of cinema was held this morning at Baron Beach across from the Carlton Hotel, and it proved to be another success for FilmFestivals.com and CFC Media Lab, the companies that together put on the three panels.This panel on the future of online marketing for films was especially interesting, since we are currently at a time when online marketing is exploding and no one really knows how to handle it. The panelists included: Malo Girod de L'Ain, found...
CINEMA POTPOURRI: February (This is a new monthly segment that will cover a variety of topics -- casting news, movie happenings, and whatever happens to be on my movie-crazed mind) SUNDANCE(what it was…what it became…what it now wants to be)Of course, the independent film movement existed long before the Sundance Film Festival opened its doors in 1985 and officially adopted its title in 1991. But never before had mainstream Hollywood responded so resoundingly to its possibilities. Redfor...
Tuesday, October 10----If it had not been for the success of THE LADY VANISHES, David O. Selznick perhaps would not have imported its director, Alfred Hitchcock, to Hollywood. If Hitchcock did not have his astonishly long and prolific career in Hollywood, who knows what the landscape of film art would look like. Yes, he was (and is) that influential. Hitchcock was not only the most popular director in Hollywood history because of his films, although their continued shelf life remains an indus...
With this his second (and last) Festival, Artistic Director Lynden Barber has again shown an astute ability to mix the provocative with the seductive, the challenging with the entertaining, giving patrons a snapshot of the concerns and amusements of filmmakers from around the world. Andrew L. Urban samples the menu.In a world troubled by violence, defeated by poverty, racked by intolerance and engulfed in conflict, it’s appropriate that a major film festival such as Sydney’s should gather fi...
LONDON FILM FESTIVAL, ”LA PLAYS ITSELF”In the category of “Experimental”, films which, in one way or another tend to defy categorization, today’s entry was “LOS ANGELES PLAYS ITSELF”, a two hour and 49 minute celluloid essay on the way the city of Los Angeles has been presented in various Hollywood films over the years. The director of this homage to the City of Angels (and incidentally to little known ‘B’ movies shot in L.A.), Thom Andersen, was present to introduce the film...
SAN FRANCISCO FILM SOCIETY CO-PRESENTS DETOUR AT OPENING NIGHT OF SECOND ANNUAL NOIR CITY FILM FESTIVAL Reception with Honored Guest Ann Savage The San Francisco Film Society will co-present the screening of DETOUR and a reception honoring Ann Savage at Opening Night ofthe second annual Noir City Film Festival at the Castro Theatre on Friday,January 16.The most vicious femme fatale in the history of American movies, saysfilm noir author and Noir City programmer Eddie Muller of Ann Savage’schil...
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