'Skins' Eduardo Casanova´sopera prima was showned in Berlinale

Samantha, Guille, Ana and Cristian all have something in common – and yet they couldn’t be more diverse. Their bodies are different to those of other people; be it the mouth, the left side of the face, the texture of the skin or the feeling that your legs don’t belong to your body. They all live and love hidden away in strangely artificial interiors. As ‘freaks’, they rarely go out onto the street. A confrontation with the rest of the world could have fatal consequences. Director Eduardo Casanova’s strictly symmetrical, pink and purple world is populated by ‘deformed’ people that include the fat, the small, and a woman born without eyes who works as a sex worker.
Spanish director Casanova’s episodic feature-length debut is an extension of his previous shorts. Making use of deliberately artificial images he explores the lives of those who, living on the margins of society, are rarely granted places in which they feel secure. However, their situation is not as hopeless as it at first seems, and beauty is a term that is redefined at least once during the course of the film.