Director: Nick Walters .
The film is an oddly charming and unique love story that explores a twisted psychological predicament as in the ‘extremist’ tradition of Japanese and South Korean cinema… A big city at night. Two young cyborg lovers (a Japanese boy and girl) are on the run from repair men. The couple reaches a bridge and agrees to jump to escape to a better world but as they step off the boy pulls out at the last moment. After a literal kiss of death (from the figure of Death itself) the girl's ghost rises from her body and looks around for her partner, but the boy sneaks off, ashamed he failed to keep his promise. Whilst sulking and hidden in a giant cardboard box (once used to contain a cyber), a cunning idea strikes the boy – one which he thinks will allow him to face the girl with respect intact ...but it backfires spectacularly and he wanders the night streets in a sulk, his various comical attempts to terminate himself intermittently punctuating his gloom. Out of ideas and resigned to the fact that he will never again be with the girl, a passing emergency siren leads him on a chase through the night streets as he hunts down the figure of Death itself... The film shares a combination of the mythical tone and dark humour of Old Boy with the playful, dream-like tone of Punch Drunk Love.

Director: Roger Walch.
David (Ted Taylor) comes to Japan for one week to study traditional legends. He is supposed to meet Professor Ozawa, a leading expert in the field. But when he arrives, he gets picked up by Ozawa's two female assistants, Sanae (Mimori Sento) and Manami (Sakiko Ikegami). They bring him to a traditional guest-house and accompany him during his stay. A strange man in the bath house (Kan Mikami) tells David about the local Tengu legend. Tengu are a class of well known monster-spirits with a long nose and a red face who live in the Japanese forests and mountains. David is immediately fascinated. But the more he finds out about the Tengu, the more he is drawn into his own past-life. As a matter of fact some Tengu legends can be connected to shipwrecked foreigners who were forced to live in hiding in the Japanese mountains during Japan's Sakoku (closed country) era (1637 - 1853). Ultimately, "Tengu" is the story of a Westerner who becomes the origin of a famous Japanese legend.

Director: Johan A Kruger.

A black comedy that explores an accountant's reaction to his new Dominatrix Boss and the methods she employs to keep all her desk bound office zombies in line. His morals and sanity are pushed beyond breaking point.

 

Cast
Jacob - Jonathan Baker
Demon Dom - Sara Dee
Cheryl - Nikki Michelle Chowen
Jerry / Zombie 1 - geoffrey troth
Receptionist / Scissor Zombie - Ice Wilderose
Dom's Pet - Angela Dee
Stephen - Craig Hamblyn
Salesman 1 / Zombie 2 - Yazid Eid
Salesman 2 / Zombie 3 - Mac Laubscher
TEMP - Tabatha St. Vincent
Diva Zombie - Juliana Reed
Stapler Zombie / Zombie6 - Christopher Davies
Mail Lady - Teresa Garratty
Juggling Zombie /Zombie5 - Oihana Garde
Zombie 7 - Michaelle St. Vincent
Zombie 8 - Derek Elmore
Zombie 9 - Elizabeth Bloom
Zombie 10 - Michael Wooller
Zombie 11 - Victoria Jane Oliver
Zombie 12 - Cullum Austin
Zombie 13 - Sarah Jane O'Neill
Zombie 14 - Gil Martin
Zombie 15 - Lulu Elliot
Zombie 16 - Karen Kangro Crew
Writer / Director - Johan Kruger
Director of photography - Joel Chu
Assistant Director - Angela Dee
2ND A.D - Karen Kangro

Producer - Johan Kruger
Associate Producer - Joel Chu
Assistant Producer - Angela Dee

Production Assistant - Steve Outram
Sound - Andres Montaña Duret
Secondary unit sound - Kota Iso
Boom - Chris Presswell
Key Grip - Gil Martin
Runner - Sarah Kok, Sarah Pemberton

Artistic Director - Lulu Elliot
Lead Make-up - Robb Crafer & Alexandra Chalk
Make-up - Emma Bifield

Location Scout (Zombie Lair) - Lullu Elliot

Original Score & Sound Design - Martin Pavey
Editor - Johan A Kruger
Stills Photography - Kaido Kurrue

Casting; Johan A Kruger, Cobi Siminovitch, Angela Dee

Location - London Kings Cross & High Barnet

Film & Lighting equipment - ETC Films

Director: Chris Ranson.
As the caretaker of an indoor swimming pool its Edwards job to keep everything in order. Aged and lonely, Edward starts to struggle as his pool is vandalised and it seems not only is his job on the line but also his grip on reality and a past long forgotten.