Director: Dover Kosashvili.
The pivot point is an emotional and psychological triangle: a civil servant, Laevsky (Andrew Scott, appalling and appealing); his married mistress, Nadya (Fiona Glascott, a milky beauty); and a zoologist, Von Koren (Tobias Menzies, suitably rigid). The story gets going with Laevsky bitterly complaining about Nadya to an older friend, a doctor, Samoylenko (Niall Buggy). Laevsky claims to no longer care for Nadya, who, having left her husband, now inspires her lover’s contempt or, perhaps, fatigue. Like a caged animal, he wants out and claws at Samoylenko as Von Koren watches and seethes, stoking his loathing for Laevsky. For his part, by cutting to Nadya during Laevsky’s rant and capping the scene with a disapproving look from Von Koren, Mr. Kosashvili suggests that his own sympathies are divided.

Director: Robert Siegal.
Paul (Patton Oswalt), a 35-year-old parking garage attendant from Staten Island, is the self-described "world's biggest New York Giants fan." He spends his off hours calling in to local sports radio station 760 The Zone, where he rants in support of his beloved team, often against his mysterious on-air rival, Eagles fan Philadelphia Phil (Michael Rapaport). His family berates him for doing nothing with his life, but they don't understand the depth of his love of the Giants. One night, Paul and his best friend Sal (Kevin Corrigan) spot a Giants star linebacker (Jonathan Hamm) and decide to approach him—but things do not go as planned. The fallout of this chance encounter brings Paul's world crashing down around him as his family, the team, the media and the authorities engage in a tug of war over Paul, testing his allegiances and calling into question everything he believes in. Following up his first filmed screenplay (The Wrestler), writer/director Robert Siegel once again demonstrates a unique and potent vision of the human experience, in all of it its harsh truths and hopeful humanity.