Pro Tools
•Register a festival or a film
Submit film to festivals Promote for free or with Promo Packages

FILMFESTIVALS | 24/7 world wide coverage

Welcome !

Enjoy the best of both worlds: Film & Festival News, exploring the best of the film festivals community.  

Launched in 1995, relentlessly connecting films to festivals, documenting and promoting festivals worldwide.

Working on an upgrade soon.

For collaboration, editorial contributions, or publicity, please send us an email here

User login

|FRENCH VERSION|

RSS Feeds 

Martin Scorsese Masterclass in Cannes

 

 

 

Jim Thompson

AMERICAN SEAGULL

Director: Michael Guinzburg.
Travis is crazy in love with Nina, a beautiful Russian actress. He’s almost got it all -- he lives with his grandfather Bruce on a gorgeous Malibu estate above the crashing Pacific and has just completed a short film of great mystical beauty. But instead of confident and joyful, Travis is depressed and alcoholic. His mother, the movie star Irene Del Mar, is visiting from New York with her younger boyfriend, the film director Trigger. The screening of Travis’ film in front of family and friends is a disaster: Irene interrupts the film and Travis storms off. At the party afterward, Nina meets Trigger -- sparks. Travis becomes more despondent and neurotic. Moping on the beach, he throws a rock and kills a seagull. Like a crazy man, he presents the dead bird to Nina. The gift does not please her, and when Travis witnesses Trigger and Nina kissing he loses it and grabs a gun. Boom! Thankfully it is just a flesh wound but Nina is freaked and runs off with Trigger. Two years later, Trigger dumps Nina and goes back to Irene. Nina becomes a drug addict and Travis, whose film ironically has become a great success, rescues Nina from a dive bar in Texas and gets her into a Malibu rehab. Grandpa Bruce has a stroke and Irene and Trigger wing back to California to visit. Nina escapes rehab and returns to the estate for one final date with destiny. And yes, the gun is involved.  

IFFBoston 2010: Weekend

user
A sampling of the films on IFFBoston's chock-full weekend slate includes: Cell 211, Anne Perry: Interiors, 9500 Liberty, and The Killer Inside Me. Eight-time Goya Award-winning Cell 211 is a taut prison thriller whose central characters are a new guard trapped on the inmate side of a nascent prison riot and the brutal rebellion’s emergent leader.  This excellent Spanish export leaves no breaks in the pacing or in the lives of the characters.  Each battle is hard fought, hard won, and hard...

Here's the DIFF

user
Now that everybody knows why I like film festivals, this is my programme for Durban. As the city is so big and the venues far apart, I have to close my eyes and miss some excellent films such as Baaria, The Concert, Lebanon, Loose cannons, Sex, drugs and rock 'n roll and A woman, gun and noodle shop. Luckily Baaria, The concert and A woman, gun and noodle shop will be released on the SA art film circuit soon. The films in Durban cover a huge array with themes such as Ecolens, Wavescap...
gersbach.net