CINESONIKA 3: The Third
International Film and Video Festival of Sound Design
Deadline: Nov. 15th
2012
€15 entry fee
University of Ulster, Derry/Londonderry
The third annual festival will showcase
international works of film and video with fascinating soundtracks,
idiosyncratic sound design, eclectic scoring and innovative approaches to the
sound-image relationship.
We are open to works in any format, including narrative, documentary,
animation, expe...
Video Interview by Leopoldo Soto Huatulco Food and film Festival
Video Interview with the Director
PRODUCTION TEAM
Filmmaking : Baharak Saeid Monir
Scriptwriter : Baharak Saeid Monir
Photography : Farhad Saba
Montage : Baharak Saeid Monir
interpreters : Sahar Biniaz, Camyar Chai, Heather Doerksen, John Emmet Tracy, Paulin Egan, Veenu Sandhu, Tina Milo Milvojevic
Production House : Baharak Saied Monir, Ambrosia...
PRODUCTION TEAM
Filmmaking : Baharak Saeid Monir
Scriptwriter : Baharak Saeid Monir
Photography : Farhad Saba
Montage : Baharak Saeid Monir
interpreters : Sahar Biniaz, Camyar Chai, Heather Doerksen, John Emmet Tracy, Paulin Egan, Veenu Sandhu, Tina Milo Milvojevic
Production House : Baharak Saied Monir, Ambrosia Film Inc., 3595 Princess Avenue, North Vancouver, BC V7N 2E4 (Canada), tél.: 604 980-4450, info@ambrosiafilm.com
AMBROSIA
Ali and Leil...
Director: Deborah Burns.
A short film about Hannah’s journey to feed an illusive monster lurking in the woods. Set in the future, her village lives in harmony with nature. The monster is their only problem. Every time he is hungry he roars, and the villagers hold a lottery. The unlucky winner must sneak into the forest to drop off food and then get out quickly. As a result no one has ever seen the monster. Hannah is a curious teen who inadvertently breaks rules. As a consequence her journey will end much differently than her predecessors.
The next time you watch a 21st century Hollywood film about traumatic global events such as the genocide in Rwanda or the U.S. invasion of Iraq, think about how they’re shaping your ethics, says Neil Narine. A Simon Fraser University doctoral student in the School of Communication, Narine has just defended a thesis in which he concludes today’s American trauma flicks encourage ethical selfishness rather than global sensitivity. Drawing on communication theory, Narine worries that modern trau...
James Moore, Minister of Canadian Heritage and Official Languages, today announced that SFU Contemporary Arts at Woodward's will receive $1 million in funding through the Canada Cultural Spaces Fund of the Department of Canadian Heritage.
The money will support the school's two largest performance spaces: the 450-seat Fei and Milton Wong Experimental Theatre and another 350-seat cinema that is still unnamed. Both of the facilities will be used by the professional arts community and made a...
