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Martin Scorsese Masterclass in Cannes

 

 

 

The Mummy

Ed Wood in Fantasporto, "So bad it's actually good"

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SO BAD THAT IT’S ACTUALLY GOOD! "So bad it's actually good" is the phrase that defines the work of Ed Wood. Hailed as "the worst director of all time", Edward Davis Wood Jr. will have a retrospective of his work at Fantasporto 2012. Born in America, he was a producer, director and writer of horror movies, "love stories" and science fiction films that clearly stood out in their creativity,taking into account the limited resources he had, both tec...

"The Mummy" lives on, thanks to Scorsese

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Shadi Abdel Salam (1930–1986)   CAIRO ~ Though Martin Scorsese had to cancel his visit to Egypt at the last moment, his presence was strongly felt at the Cairo International Film Festival here on Wednesday night when the classic version of The Mummy was screened. If it hadn't been for Scorsese this Egyptian classic might have just crumbled into obscurity, as has much of this country's history But as the result of financial support from the Martrin Scorsese...

Cairo International Film Festival 2009 to be best ever

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THE CAIRO International Film Festival (CIFF) celebrates its 33rd edition this year from November 10 to November 20. In its long history of successes, last year's triumph would be a hard act to follow. Never before had the festival attracted so many international stars. But the organizers say that this year promises to equal and perhaps even surpass last year's event. The CIFF 2009 enjoys the fine backdrop of 100 years of a distinguished film history. It is undoubtedly the oldest a...

Kluckin Films In Surge Weekly

By Chris Raposa For Weekly Surge Photos by Scott Smallin Staff Photographer Horror flicks can be broken down into three major categories: suspense, slasher, and supernatural. In many cases, these three core components are fused together for the greater goal of the film, which is to scare the hell out of moviegoers. The horror genre in movies dates back to the onset of film itself. In 1896, George
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