The 13th Annual Film Noir festival, known affectionately as "Noir City", arrived at its usual venue, the fabled Egyptian theater on Hollywood Boulevard, on April 1st, settling in for a three week run until April 20. Here dedicated Noir fans and many merely curious drop-ins will be treated to a series of established classics of the genre and rarely seen new discoveries in a viewer friendly "double feature" format -- just like the old days -- two distinctive black and white features from Hollywoo...
NOIR BY NORTHWEST, SEATTLE FILM NOIR WEEK"NOIR CITY SEATTLE" OPENS WITH TWIN BILL OF RARITIES by Alex Deleon, for <www.filmfestivals.com> Tuesday, July 9, 2007 The traveling all-Film-Noir festival known as "Noir City", introduced personally by the San Francisco based "Czar of Noir", Eddie Muller, opened here at the SIFF theater in the Space Needle dominated Seattle Center on Friday, July 6, with a pair of seldom seen and hard-to-find dark films of the late for...
"NOIR CITY SEATTLE" OPENS WITH TWIN BILL OF RARITIES by Alex Deleon, for <www.filmfestivals.com> Tuesday, July 9, 2007 The traveling all-Film-Noir festival known as "Noir City", introduced personally by the San Francisco based "Czar of Noir", Eddie Muller, opened here at the SIFF theater in the Space Needle dominated Seattle Center on Friday, July 6, with a pair of seldom seen and hard-to-find dark films of the late forties, "Thieves' Highway&quo...
To start at the end, the final film of the now fabulous "Noir City" festival in Seattle, closing out a solid week of non-stop black-hearted delight, was "Wicked Woman" (1953) -- arguably, the purest 'noir' ever made. This was billed along with Fritz Lang's far more famous and far more arty "Scarlet Street" (1945), and the contrast between these two striking studies in wickedness is almost as striking as the films themselves. To start with, Lang was a very European "art director" and "Scarlet S...
"NOIR CITY SEATTLE" OPENS WITH RARITIES FROM THE DARK SIDE OF HOLLYWOOD by Alex DeleonThe traveling all-Film-Noir festival known as "Noir City", introduced personally by the San Francisco based "Czar of Noir", Eddie Muller, opened here at the SIFF theater in the Space Needle dominated Seattle Center on Friday, July 6, with a pair of seldom seen and hard-to-find dark films of the late forties, "Thieves' Highway" (FOX, 1949, 94 minutes) and "Deadline at Dawn" (RKO, 1946, 77 minutes). Both films w...
