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Martin Scorsese Masterclass in Cannes

 

 

 

Discover New Films

The Robinsons

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Director: Pierre Yves Clouin.

Brief shipwrecks on short islands

The Robinsons

Director: Pierre Yves Clouin.

Brief shipwrecks on short islands

the robinsons

Director: Pierre Yves Clouin.

The Rule of Lead

Director: Giacomo Arrigoni.
Following otherworldly plans which he finds very annoying, Humphrey, the ghost of a murderer, is forced to team up with Lara, a lonely teenage girl ignored by parents and society. Unable to touch things and assume a human form that would lead to the ultimate demise of his soul, Humphrey must lead the girl to save two kidnapped children as a way to redeem himself and finally abandon Earth. The two make an unpredictable rough pair and explore the old mansion where some criminals are holding the children for their shady business. The ghost and the girl find the children and try to draw the attention of the city, but nobody listens to them: they are just invisible creatures trying to point out the existence of two invisible children. Unable to believe in himself and convinced that he is damned forever, Humphrey abandons the mission and vanishes, forcing Lara to act on her own to save the kids. But when the criminals kidnap Lara, Humphrey realizes that he must do his best to awaken the entire city and open the eyes of the people who continue to ignore the existence of the prisoners. Then, as he recalls what his alchemist father told him when he was a child, that even the most impure stone can be transformed into gold, Humphrey faces the most difficult choice of his afterlife: remaining damned forever or risking a final death by taking on human form to free the prisoners: a choice that can transform his soul from lead to gold.

The Rule of Lead: Golden Spirit

Director: Giacomo Arrigoni.

The Runaway Boy

Director: John Pegg.
A moralistic modern-day fable in which a deceptive young trickster gets his just deserts. 'The Runaway Boy' takes a sideways glance at the youth culture of 21st century Britain and finds it to be inhabited by underage drinkers and reluctant stick-up artists dressed as snowmen.

The Sad Cafe

Director: Bennie Woodell.
Jack is a gun for hire who wants more out of life but is afraid of what may happen due to what happened in the past. Rose works at a cafe run by her father who feels left behind in the world and wants to find her one and only. Everyday Jack comes into her coffee shop. Everyday she has his tea waiting for him. Everyday they never say a word to each other until one day thanks to Jack's partner Steve, he decides he can't go on living this way. He surprises her and the two begin a budding romance that will lead Jack to the decision of a lifetime given to him by his boss, that will not only alter his future but Rose's as well.

The Safest Place For Fruit Is In Carmen Miranda's Hat

Director: Kal Bonner.

 

The Frumans of Frumania live in a perfect but shallow world, accessed through an apple on a market stall. In amongst the rotten bunch is Appleby Cox's-Pippin. He is generally dismissed by his fellow Frumans for his inability to be the same as them, and for his love of all things creative. Soon Appleby feels the strain of being an outcast and life at home is no better.

            Eventually rejected by his hypocritical father, Appleby is forced to start a journey in search of 'being the same', eventually encountering the evil Agent Orange and learning a harsh lesson in what really lies close to the Fruman heart - greed.

 

The Sand Clock

Director: Razibul Hossain.
An old man, Zoology Professor Kuhel Ahmed, faces death. The things happening in his life is quite normal for anyone. But, how is it to himself? What happens to his inner self, in his consciousness, in his thoughts at that moment in life when the living people are wistful about their long life and the dead are only memory to him? He is a loner in the middle of a bridge; helpless in his tension. All barriers of control break loose; things fall apart for him. Professor Ahmed is not a psychologically challenged person. He is absent-minded, reticent as a character. However, thoughts are not always limited to expression only. Thoughts are restless, always on the move. Professor Ahmed looks back into the satisfactions of his life’s achievements as well as the real pictures for all his shortcomings. He is nostalgic as the certainty of end of life awaits him. Professor Ahmed is single as he defies leaving behind a generation. He knows all the patterns of human diversity like his palms. Life, to him, is nothing but carrier of a mathematical progression. This belief popped into him through the practices of science. He knows beyond this belief human race is going through this progression as they try to mask the superstition of heredity and surroundings. Therefore, he argues at the close of his life. Life’s meaning as well as absurdity equally fights within him. Such inner conflict is apparently unseen, unreal. But in man’s own world it is evident and real. This feature film tries to explore that real image of the human race crossing the limits of individuals. Memory and present; everything becomes contemporary. Insights into life is framed in every millisecond.

The Savior

Director: Robert Savo.

It is a time when Rome rules the world with the power of life and death in their hands. The province of Roman Palestine is a bubbling cauldron of rebellion and control. And on this greater canvas Luke, narrates a story of wonder, amazement and impact…

     The world is anticipating this moment in history but no one can imagine God touching His creation in the form of a little baby named Jesus.

     Much is recorded in the Gospels about Jesus’ miraculous birth, to a young virgin named Mary, in Bethlehem, but little is known about his quiet growing up in Nazareth.  Joseph, his adopted father, seems to have died well before Jesus turns 30 and begins his ministry.

     We next meet Jesus at the Jordan being baptized by his cousin, John the Baptist, and suddenly the heavens open and a voice booms out, “this is my beloved son in whom I am well pleased.”  The Holy Spirit of God descends upon him like a dove and Jesus begins his ministry.

     Dogged by the devil, demons, and religious zealots at every turn, Jesus calls twelve sturdy men to be his disciples and for three years teaches them his way, and his truth, and his life from God, his Father.  

     Now he goes to Jerusalem.  The people are crying for a savior to deliver them from the Roman occupation and they hail Jesus as their deliverer.  He enters Jerusalem in triumph with the people in great hope knowing he comes from God and only God can save them.  But God’s ways are not man’s ways and God’s salvation is not evidenced in the flesh but only manifest in the spirit.  Jesus has come to die, to sacrifice himself; but the way to the cross is full of dangers and pitfalls and even though the spirit is willing, the flesh is weak.

      Jesus prays on the Mt. of Olives, ‘not my will, but Thy will be done.’  Judas kisses him in betrayal and the path to the cross is paved. 

     First Jesus is taken to the religious leaders, the Sanhedrin, Caiaphas the high priest; then to Pontius Pilate, the Roman tribune who sends him to King Herod, the puppet King of Galilee, who sends him back to Pontius Pilate who unwillingly has to condemn him to death on a Roman cross.

     Beaten beyond recognition, Jesus is flogged through the streets of Jerusalem, the crowd jeering and spitting curses upon him.  Nailed to the cross he is alone and seemingly abandoned by God.  Mary, his mother, Mary the wife of Clopas, and Mary Magdalene, and John, his beloved disciple, braved the hatred and scorn to stand at his nail pierced feet.  When he whispers ‘it is finished’ with his last breath, the earth shakes so violently the curtain in the temple, separating God from man, is ripped from top to bottom forever.

     Joseph of Arimathea, a rich man of prominence in the community, petitions Pilate for the body and is granted permission to bury Jesus in his tomb.

    On the third day, Mary Magdalene and a group of women go to the tomb to prepare the body.  They find the tomb empty.  They rush back to the disciples and tell them.

     John and Peter rush to the tomb to see for themselves.  It is empty…HE IS RISEN.

Jesus then appears to the disciples showing them the nail scars in his hands and feet.  Yes, he is risen, indeed.

     He tells them he would never leave them or forsake them, that he would fill them with power from on high and that they are to go into all the world and make disciples…and this is only the beginning.

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