MOMA ‘Global Lens’ Focuses on Moroccan film ‘PEGASE’ (2010).
‘Global Lens’, 2012 is a selection of ten films which screened at New York’s Museum of Modern Art gallery (MoMA) from January 12–28 as part of an effort between MoMA and The Global Film Initiative (GFI) to raise international awareness to developing cultures of cinema from politically and economically challenged countries.
One of these films was ‘PEGASE’ (Morocco, 2010), the FESPACO (Pan-Africa...
After nine and a half years as Festival Director/ CEO of the Adelaide Film Festival, Katrina Sedgwick today announced she would be leaving the Festival at the end of 2011 to pursue other opportunities in the arts as well in film. She will continue in her role until the end of the year before handing over to a new Festival Director in early 2012.“It has been a wonderful opportunity for me to have been able to develop and deliver my own fairly idiosyncratic version of a film festival over the pa...
For Rajendra Roy, it’s all about the passion. Beginning his fifth year as the Celeste Bartos Chief Curator of the legendary Department Of Film at New York’s Museum Of Modern Art (MoMA), Raj (as he is affectionately known by friends and colleagues) can look back at significant accomplishments during his tenure and substantial challenges ahead. “The film world has changed so much since I started this job”, Roy shared with me in an interview in his intimate, no-frills office. “...
The Toronto International Film Festival (TIFF), one of the largest and most important film events in the world, unveils its permanent home today with a day long “block party”. The Festival, which is celebrating its 35th anniversary this year, was once centered in the chic Yorkville neighborhood, north of the urban center. This year, however, the Festival has moved to the city’s Entertainment District, home to its live theaters and the city’s most trendy district, about t...
Among the top foreign language features shown in the United States from 1979 through 2009 which grossed $1,3 billion dollars, German productions ranked seventh behind France, Taiwan, China, Italy, Mexico, and Spain with a total of $49 million. Only five German features generated more than $5 million in the US: DOWNFALL, NOWHERE IN AFRICA, RUN LOLA RUN, LIVES OF OTHERS, and the commercially most successful one, DAS BOOT, a 1982 release, which scored $11.5 million. It may very well be that ...
